Face E Avesso Lyrics in English Vanessa da Mata

Below, I translated the lyrics of the song Face E Avesso by Vanessa da Mata from Portuguese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
I know the face and the inside of what they think
I can hardly believe how much they still crawl
Your search for God to alleviate perversion
Your mother's revenge on women
Your false morals
The naked and raw soul is now me
The cut, catharsis now too
It's me
They walk through the poor, rich, out there and it's so good
But here they salivate in the pain of their brothers
They are yours
To the thousands that hunger cares
To gays that fear shapes, not
To unused women
Children molding in shelters, not
ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã
I know the face and the inside of what they think
I can hardly believe how much they still crawl
Your search for God to alleviate perversion
Your mother's revenge on women
Your false morals
Your anguish
The naked and raw soul is now me
The cut, catharsis now too
It's me
They walk through the rich poor out there and it's so good
But here they salivate in the pain of their brothers
They are yours
To the thousands that hunger cares
To gays that fear shapes, not
To unused women
To the Indians of the destroyed forests, no, no
ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã
ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã
ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã, ahã ahã
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Lyrics © Universal Music Publishing Group
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rastejamthey crawl / they grovel

Rastejam comes from the verb rastejar, meaning 'to crawl' or 'to grovel'. It's a vivid and somewhat harsh verb that immediately conjures a strong image.

In the context of

"Face e Avesso" means "the front and the back" of something, and that is exactly what Vanessa da Mata is doing here: showing the ugly reverse side of a society that likes to talk about morality.

She opens by saying she knows the difference between how people present themselves and how they actually act. The song then lists who pays the price for that gap: women who carry the blame for other people's guilt, the poor who are looked at like scenery by the rich, and children and indigenous communities left to bear the damage.

The "ahã ahã" refrain that closes the song isn't really words. It's closer to a sigh, an exhausted sound after naming all of it, and it gives the song its resigned, matter-of-fact tone rather than an angry one.

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