AFS plunges us into a modern corrido where Natanael Cano narrates the rise of a young hustler who jumps into the game “a temprana edad.” Backed by unwavering family support, the protagonist moves weight, cruises in armored convoys, and keeps the radio tuned to orders from powerful figures like El Chapo and Alfredo Salazar (the initials behind the title). The song paints a cinematic picture of desert backroads, low-flying planes, and night-time runs across the border, all fueled by adrenaline, loyalty, and an ever-present soundtrack blasting through bulletproof windows.
Beneath the swagger lies a simple code: trabajo, lealtad y familia. Cano celebrates the grit of those who “no se agüiten,” face danger head-on, and measure success in stacks of cash and the respect of their crew. “AFS” is equal parts anthem and warning—an unflinching look at the high-stakes lifestyle that defines Mexico’s narcocultura, told with the brash confidence and regional flair that have made Natanael Cano a voice of his generation.