Cambio Lyrics in English Ozuna , Anuel AA

Below, I translated the lyrics of the song Cambio by Ozuna from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Real to death, you hear, baby?
Hydro, hi music hi flow
So many bakeries I helped, so many jevas I trusted
They were all Judas, you saw it
So hard that I tried so hard and all with their bad faith
I'll show you that God exists
Everybody's going to be for money
Everyone goes away when you're at zero
Enviating the whole world
When I die nothing I take, I take
Everybody's going to be for money
Everyone goes away when you're at zero
Enviating the whole world
When I die nothing I take, I take
I get the fake corduroys, I know
I can't complain, maybe it was a proof of God
I had to cross the puddle and I didn't drown
At the end of the test, today I forgive them to'
Now everyone says I'm the bad guy
And before everyone ate from my hand
I don't think so anymore, they're fake corduroys
Juda' jesus Christ kissed
Everybody's chorusing you around the room
And they weren't part of the process and that's why
Everybody's going to be for money
Everyone goes away when you're at zero
Enviating the whole world
When I die nothing I take, I take
Everybody's going to be for money
Everyone goes away when you're at zero
Enviating the whole world
When I die nothing I take, I take
Brr!
They trancared me and forgot
And even a son I had an abortion
And in the cemetery, the living
Like a dead man I was buried
And my best my friend died
But my god life changed me
And now I'm buying mommy
A house in more than a million
I don't know what to do with so much money anymore
The lambo' and the rolls royce I don't even know where to park anymore
Friends who loved me, now they want to kill me
And the amista' and the enmista' are written the same
And for money; jesus, Judas went to deliver him
And the one who betrays is the most who says he's loyal
My circle closed, no one I'm going to trust
And of those who shouted 'Free anuel!', ozuna was real, uah, uah
Everybody's going to be for money
Everyone goes away when you're at zero
Envying the whole world
When I die nothing I take, I take
I know we're sickled
God, forgive me, she's provoking
The DJ with the dembow is helping me
And my wife on the other hand is calling me and it's that
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', the baby can get
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', the baby can get
This isn't for you to fall in love with
He wants to perrear, he doesn't want a love relationship
I press the bugatti to heat it'
Illuminati, she wants me to devour her
Yeah-eh
Put him in hard, but on the wall
The baby asks for a quick whip, I came to her
So that no one knows, I drop r.d
We do it on what we're on our way on the jet
Put him in hard, but on the wall
The baby asks for a quick whip, I came to her
So that no one sees us, we fall' to r.d
We do it on what we're on our way on the jet
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', baby can come, yeah-eh-eh
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', the baby can get
This isn't for you to fall in love with
He wants to perrear, he doesn't want a love relationship
I press the bugatti to heat it'
Illuminati, she wants me to devour her, yeah-eh
Put him in hard, but on the wall
The baby asks for a quick whip, I came to her
So that no one sees us, we fall' to r.d
We do it on what we're on our way on the jet
Put him in hard, but on the wall
The baby asks for a quick whip, I came to her
So that no one knows, I drop r.d
We do it in what we're on our way in the—
I know we're sickled
God, forgive me, she's provoking
The DJ with the dembow is helping me
And my wife on the other hand is calling me and it's that
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', baby can come, yeah-eh-eh
I'm going to mis portal
You have to know how to lie and know how to disguise
I want to eat you, no one has to know
Baby, don't delay', baby can come, yeah-eh-eh
Real to death, baby
Real to death, baby
Uah
Nibiru
Uah
Nibiru
Hi music hi flow
Uah, uah
Tell me, yampi
Mera, tell me, yannc
Yannc the harmonica, baby
Tell me what I saw
Full harmony
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Jan Carlos Ozuna Rosado, Emmanuel Gazmey Santiago, Vicente Saavedra
Did you like this lyrics translation?

abortaronthey aborted

Abortaron means "they aborted" and refers to the act of ending a pregnancy. This word is particularly striking and unexpected in a reggaeton song, making it memorable.

In the context of the lyrics, Ozuna uses it metaphorically to express a deep betrayal and abandonment: "Y hasta un hijo a mí me abortaron" (And they even aborted a child from me). It conveys the idea that something precious and full of potential, like a child, was taken away or destroyed by others, symbolizing the loss of trust and the pain of being forgotten by those he once helped.

"Cambio" ("Change") is Ozuna's reflection on how success and money have transformed his life and the people around him. He opens by pointing out how many friends and lovers turned out to be disloyal, comparing them to Judas, and says that everyone who envied him abandoned him the moment he had nothing. Now that he has made it — buying his mother a house, driving a Lamborghini and a Rolls-Royce — he no longer trusts anyone, since the same people who once turned their backs on him now only chase his money. Anuel AA's verse continues the theme of betrayal and loyalty, referencing his own real-life "Free Anuel" moment when Ozuna stood by him. The song's second half shifts into a flirtatious, explicit narrative about a secret hookup happening while a partner calls, contrasting the seriousness of the first half with a lighter, more playful reggaeton party vibe.

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