In "Ya No Estás Tú", Colombian band Morat paints the picture of someone who swears they have moved on. Line after line the singer claims they no longer suffer, lose sleep or feel any pain now that their ex is gone. The chorus bursts with confident declarations like "No voy a darlo todo por ti" and "Ya no me falta lo que te di", as if the narrator were crossing each lingering feeling off a checklist of heartbreak recovery.
But listen closely and another story peeks through the bravado. The repeated need to insist "mira que no estoy sufriendo" hints that the wound is still tender, and time has only rearranged—not erased—those emotions. The song’s final twist, "¿A quién engaño? Eres mi nuevo vicio", reveals the truth: the ex is still an irresistible habit. Morat turns this inner contradiction into a catchy anthem that captures the messy, back-and-forth reality of getting over someone, where confidence and vulnerability dance to the same beat.