Zollamt translates to "customs office". It's an interesting word because it's not commonly found in everyday German songs, making it unique to this track.
In the context of the song, it highlights the constant threat and surveillance faced by the characters as they transport goods across borders, specifically mentioning "Grenze Holland" (Dutch border) and "im Nacken immer Zollamt" (customs office always on their neck). This word paints a vivid picture of the illicit activities and the risks involved, adding a layer of tension and realism to the narrative.
CLS is Asche and SadiQ's tribute to the fast life of German trap: designer brands, borrowed confidence, and a black Mercedes CLS as the ultimate status symbol. The chorus keeps naming Givenchy, Versace and Guess, painting a picture of people chasing appearances, while the verses dig into what's underneath: smuggling weed across the Dutch border, dodging the police, and doing prison time for the risk. There's real tension between danger and glamour throughout: guns, luxury watches, women in the backseat, and an underlying awareness that one wrong move on the Autobahn could end it all. It reads less like a celebration and more like a snapshot of a life where wealth and risk come as a package.