In “El Azul,” Junior H and Peso Pluma invite us into the flashy yet perilous universe of a seasoned trafficker who cruises in a blue Rolls-Royce, guards himself with AK-47s (nicknamed cuernos del diablo), and keeps a protective Elegua cap close at hand. The lyrics paint a picture of constant negotiation with danger — “texting with death” — while boasting of high-tech drones, powerful allies, and a lion’s mane of courage inherited from legendary figures like El Chapo (hinted at by the code number 701).
Beneath the bravado, the narrator wrestles with guilt, asking God’s forgiveness even as he admits he will likely die the same “bélico” (warlike) way he lives. The song mixes unapologetic pride in wealth and influence with a sobering awareness that this lifestyle has a price. This blend of swagger, spirituality, and fatalism is a hallmark of corridos tumbados, giving learners a raw glimpse into modern narco-culture and its contradictions: loyalty and violence, faith and sin, glamour and grave risk.