In Ciao, Italian artist Coez flips through the pages of his own self-improvement checklist. He has quit believing in “grown-ups,” shelved childish toy dreams, abandoned sugary magazine gossip and even swapped post-gig rum for clearer mornings. The song feels like a confessional mixtape where each verse ticks off another vice he has left behind—crystal ball illusions, reckless nights, unhealthy relationships, empty fame. Every “I’ve stopped” is Coez trying to climb higher, only to admit with a laugh that once you are already on the ground, you can’t fall any further.
But there is one habit he cannot kick: her. The chorus circles back to a bittersweet greeting—“Ciao, ci vediamo, come va?”—as if they keep bumping into each other on life’s tangled streets. No matter how hard he tries to walk away, his roads curve toward her and hers toward him. The song captures that mysterious gravity between two people who should have moved on, yet remain cosmically looped together. By the end, Coez stops asking “why,” accepting that some connections resist every effort to quit them, making Ciao a relatable anthem for anyone who has sworn off everything except the love they still cannot leave.