No Es Serio Este Cementerio Lyrics in English Mecano

Below, I translated the lyrics of the song No Es Serio Este Cementerio by Mecano from Spanish to English.
Hanging from the sky
By twelve cypresses
Twelve apostles in green
Keep watch twelve months
At the crumbling wall
that marks its boundary
They've taken away some stones from it
to build the little chapel
My cemetery has a mass grave
where we Cuban heroes are
On Sundays the Blacks don't let us sleep
because they feel like singing Misa Luba
And we dead have a great time here
Among flowers of many colors
And on Fridays and so on
If in the grave there isn't a plan
we get dressed and go out
to take a stroll
without going past the gate, that's right
that we dead have to stay here
And heaven, as for me
can wait
This cemetery
isn't just any old thing
since the headstones in the back
are of pink marble
And although there are good graves
the niches are better
because they are cheaper
and there are hardly any bugs
Then, in lordly style
the family mausoleum
of the Dukes Medina y Luengo
that even though the final judgment
treats us the same
here there are people of ancient lineage
And we dead have a great time here
Among flowers of many colors
And on Fridays and so on
If in the grave there isn't a plan
we get dressed and go out
to take a stroll
without going past the gate, that's right
that we dead have to stay here
And heaven, as for me
can wait
And we dead have a great time here
Among flowers of many colors
And on Fridays and so on
If in the grave there isn't a plan
we get dressed and go out
to take a stroll
without going past the gate, that's right
that we dead have to stay here
And heaven, as for me
can wait
This cemetery isn't serious
This cemetery isn't serious
This cemetery isn't serious
This cemetery isn't serious
This cemetery isn't serious
This cemetery isn't serious
This cemetery isn't serious
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © SOCIEDAD GENERAL DE AUTORES DE ESPANA S G A E
JOSE MARIA CANO
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SONG MEANING

“No Es Serio Este Cementerio” turns the usually grim setting of a graveyard into a playful, almost carnival-like scene. Sung from the point of view of the residents of the cemetery, the lyrics paint a picture of the dead joking about marble headstones, bargain-priced niches, and even Friday-night outings that never go beyond the gate. Instead of mourning, the song serves up vivid imagery—twelve cypress trees as green apostles, Cuban war heroes sharing a common grave, and African choirs singing Misa Luba—all to show that life (and after-life) can still sparkle with humor, rhythm, and colorful flowers.

Beneath the wit lies a gentle social critique. The dead poke fun at class differences (“dukes of Medina and Luengo” rest in luxury) and at society’s obsession with solemnity. Mecano suggests that if everyone ends up in the same place, perhaps we should laugh at our own pretensions while we can. In short, the song turns fear of death into a celebration of equality, community, and the irresistible urge to keep the party going—because “heaven, for me, can wait.”

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