G3 N15 Lyrics in English ROSALÍA

Below, I translated the lyrics of the song G3 N15 by ROSALÍA from Spanish to English.
Will you forgive me for what I've missed?
It's already two years
You're already ten
The eyes are on the way
You were sky-eyed, with navy-blue eyes
I don't know what you like
If you like races more
Spaceships or sailboats
If you live peacefully or live with war
If you already fall in love or if you fight first
If you feel heat
You feel it inside
It's that you have an angel
Burning in the chest
If in the heart you no longer feel cold
It's that you have an angel, the one that I sent you
You're always quiet like grown-ups
I'll tell you without adornment or flowers
And I have to be where I don't want to be
This isn't about ill love, you're the ill desire
I'm in a place that I wouldn't take you
Here nobody's at peace among stars and syringes
Marble star, cut on the floor
Baggies on the street where the models stroll
There's spikes in the arms
Spikes in the stars
I don't want to bring you
So that you never come
Spike in the stars
There's spikes in the arms
They tie up when it's cold
Like I hug you
Good day, my love
I like that, thinking in hard times
It always helps so much to have a reference to God
Family is always first, and
Not first, I'd say that first is always God
And then the family
Family is so important
Family is always important
You carry a path that's a bit complicated
When I look at it, I think
"How complicated is the world that Rosalía's getting into"
But anyway, if you're happy, I'm happy too
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Sony/ATV Music Publishing LLC
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SONG MEANING

G3 N15 feels like stumbling across a heartfelt voice memo hidden inside ROSALÍA’s phone. Over airy production, she speaks straight to a young relative she has not seen for two years: apologizing for everything she has missed, guessing at his hobbies, and sending him an “angel ardiendo en el pecho” so he never feels cold. Her words glow with sister-aunt energy—tender, playful, a bit guilty—while vivid images of syringes, fashion models, and marble stars reveal the gritty places fame has dragged her. She paints a split screen: on one side, the innocent blue-eyed child; on the other, the nightlife where “nadie está en paz.” The contrast turns the song into a protective lullaby, promising distance between him and the darker corners of her world.

Mid-track, a warm Catalan-Portuguese voicemail from her grandmother slips in, reminding ROSALÍA (and us) of the order of things: God first, then family. That blessing wraps the song like a homemade quilt, grounding its melancholy in faith and kinship. The result is a moving postcard about absence, responsibility, and the unbreakable thread that ties family together, no matter how complicated the road becomes.

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