Di Mi Nombre Lyrics in English by Rosalía

Below, I translated the lyrics of the song Di Mi Nombre by Rosalía from Spanish to English.
Ali, Ali, Ali, Ali, Ali, Ali, Ali, Ali
Say my name
When there's nobody around
When there's nobody around
When there's nobody around
That the things
That the things that you tell me
That the things that you tell me today
Don't go out that door
And tie me with your hair
To the corner of your bed
That even if the hair breaks
I'll make it look that I'm tied
That even if the hair breaks
I'll make it look that I'm tied
Oh, Ali, Ali, Ali, Ali, Ali, Ali, Yali ya
Say my name
Put your body against mine
And make the bad become good
Impure what's blessed
And make me pray over your body
And at the corner of your bed
And at the last moment
Say my name to my face
And at the last moment
Say my name to my face
Oh, Ali, Ali, Ali, Ali, Ali, Ali, Yali ya
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Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
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Impuro — Impure

Impuro means "impure". It's a powerful word that captures the song's central theme of mixing the sacred and the profane in passion.

Rosalía sings, "Impuro lo bendeci'o" (The impure, that which is blessed). She is asking her lover to transform something traditionally seen as sinful into a holy experience through their intense love. This beautiful contrast highlights a passion that is so powerful it redefines all the rules.

Rosalía gets intense and possessive in this song, and it's amazing. She's describing a secret, private world with a lover, demanding that whatever they say to each other stays behind closed doors: "Que las cosas que hoy me dices / No salgan por esa puerta" (That the things you tell me today / Don't leave through that door). This isn't just about keeping secrets; it's about creating a space where the normal rules don't apply.

She uses some wild imagery to get this point across. She asks her lover to "átame con tu cabello / A la esquina de tu cama" (tie me with your hair / to the corner of your bed). But then she admits that even if the hair breaks, she'll pretend she's still tied up. It's a game of power and desire where she is a willing participant. The song mixes the sacred and the profane, asking her lover to "haz que lo malo sea bueno / Impuro lo bendeci'o" (make what's bad good / the impure blessed). The final, repeated demand is simple but powerful: in their most intimate moment, he must look at her and say her name.

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