Arrecha' is a fantastic example of Venezuelan slang. While it can literally mean 'angry' or 'horny' in some contexts, in Venezuela, and especially in this song, it's used to describe someone who is 'awesome,' 'feisty,' 'badass,' or 'determined.'
In "Veneka," Rawayana uses it to praise Venezuelan women, highlighting their strength, independence, and captivating spirit: "Las chamas son arrecha'" (The girls are awesome/badass). It's a word that truly captures a unique cultural flavor and adds a lot of character to the lyrics.
"Veneka" is Rawayana's ode to Venezuelan women, sung as one long inside joke with the whole country. The hook keeps asking where the veneca girls are — the ones who "no van para el gym, pero tienen cuerpo de atleta" (don't go to the gym, but have an athlete's body) — and the verses turn into a map of home: Maracaibo, Mérida, Barquisimeto, San Cristóbal, each city getting its own line about the accent or the woman that comes with it. Akapellah opens the track with his own name-drop before Rawayana sings a word, and by the second verse the comparisons get specific: "No se sabe si son las cachapas o son las arepas" (nobody knows if it's the cachapas or the arepas).
Half the fun is the slang doing double duty. "Boleta" swings between "the sh*t" and "rough around the edges" depending on which line it lands in, and "qué queso" has nothing to do with cheese — it's Venezuelan for a jolt of attraction. The song drops the wordplay entirely for its outro and just lists the country's best features over the beat: "Los mejores culos, las mejores playas" (the best butts, the best beaches), before a DJ signs off with his own callsign like a radio ID cutting into the fade.