La Bruja Lyrics in English by Natalia Lafourcade

Below, I translated the lyrics of the song La Bruja by Natalia Lafourcade from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Oh, how beautiful it is to fly
At three in the morning
At three in the morning
Oh, how beautiful it is to fly, oh, mama
To rise and let yourself fall
In your songs, Mexican girl
In your songs, Mexican girl
that I'd even want to cry, oh, mama
The witch grabs me
She takes me to the hills
She looks at me, she prays over me
She fills me with flowers
The witch grabs me
She takes me to her house
She hugs me and kisses me
She sings to me in bed
Oh, tell me, oh, tell me
Oh, tell me, you
How many little children
have you taken with you?
None, none
None, can't you see
that I'm intending
to take you
I ran into a woman
Deep inside the night
Deep inside, deep inside the night
I ran into a woman, oh, mama
Then I asked her
if I'd sing her some sones
"Sing them," she told me, "then
be a singer of love," oh, mama
Hide, Toña
Hide, Lola
that the witch is coming
and she'll take you to her bedroom
Hide, Lupe
Hide, Isabel
that the witch is coming
looking for you too
Oh, tell me, oh, tell me
Oh, tell me, oh, tell me, you
how many little women
have you taken with you
None, none
None, none, don't you see
that I'm intending
to take you
The witch grabs me
She takes me to the little hill
She lays me on the ground
And she stays with me
The witch grabs me
She turns me into a rosebush
She turns into a little fire
for my singing
The witch grabs me
She lays me on the ground
She stays with me, she gets lost with me
The witch grabs me
She turns into a rosebush
She becomes a little fire
for my singing
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bruja — witch

Bruja translates to "witch." It's a captivating and somewhat mysterious word that immediately sparks curiosity, especially given its prominent role in the song's title and lyrics.

In "La Bruja," the word refers to a mythical figure from Mexican folklore, often associated with magic and the supernatural. Natalia Lafourcade reinterprets this figure not as something to fear, but as a powerful, almost enchanting entity that takes the narrator on a journey, transforming her and inspiring her music. This unique cultural context and the word's evocative nature make it highly engaging.

"La Bruja" is a Veracruz son jarocho that has been sung at fandangos for generations, and Natalia Lafourcade sings it as someone who half enjoys being carried off. The witch of the title never threatens anyone. She shows up, takes the singer out to the hills, and then does something closer to a blessing than a curse: "Me mira, me reza / Me llena de flores" (She looks at me, she prays over me / She fills me with flowers). A verse later she is hugging and kissing her and singing to her in bed. The call and response at the centre of the song asks the witch outright, "¿Cuántas criaturitas / Se ha llevado usted?" (How many little children have you taken with you?), and she answers "Ninguna, ninguna" (None, none), then admits in the same breath that she is working on it: "Que ando en pretensiones / De llevarla a usted" (that I am intending to take you).

The middle verse is where the bruja turns out to be a colleague. The singer meets a woman deep in the night and asks whether she should sing her a few sones, and the woman tells her to go ahead and "Sea cancionera de amor" (be a singer of love), which is where Lafourcade gets the name of the album this comes from. By the end nobody is being stolen anymore, only transformed: "Me vuelve un rosal" (She turns me into a rosebush), "Se vuelve un fueguito / Para mi cantar" (She turns into a little fire / for my singing). Being taken by the witch, it turns out, is what happens when you decide to sing.

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