Principalmente Me Sinto Arrasada Lyrics in English Luísa Sonza

Below, I translated the lyrics of the song Principalmente Me Sinto Arrasada by Luísa Sonza from Portuguese to English.
Intro
My head's gonna explode
Verse 1
I'm tired, I've been tired for so long
I've been battling time for a while
And I can't get anything done
Verse 1
I wanted to hate you, wanted to manage to feel mad at you
Missing you wears me out, your mockery
Your fake flag pisses me off
Verse 1
What a hypocrite, where's the pause button?
It's so much acting it's making me nauseous
Enough, it's making me nauseous
Watched, they count my steps
They follow the herd, f*ck whoever thinks it's funny
I scream in my head, the voice comes out scratched
And I don't do it 'cause others want me to
F*ck, I'm freaking out from irritation
What am I doing spitting this rhyme?
I couldn't give up on myself anymore
I swear I did everything I could
But I thank you for everything I lived and saw with you
It made me who I am today
And even if sometimes I
Am or seem a little, kinda far away
And even if the city doesn't want
You to remember, keep
Verse 1
What was left of us, I've got today
Girl, it's getting really late
Your alarm's going off, you've got stuff to do
Stop whining, react, crazy one, snap out of it
You're not a baby anymore
Will anyone wanna know?
Or is nobody interested in what I've got to say?
Am I a fraud? Well, we'll see soon enough
I'm sure I'm on the verge of losing my mind
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Universal Music Publishing Group
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SONG MEANING

Principalmente Me Sinto Arrasada throws you straight into Luísa Sonza’s inner storm. In quick-fire verses she admits that her “head is about to explode”, exhausted from wrestling with time, public scrutiny, and the echoes of a relationship that still haunts her. The song feels like a late-night voice note where anger, sarcasm, and vulnerability tumble together: she wants to hate the person who hurt her, yet she is also angry at herself for still caring. Crowds watch her every step, online critics laugh, and the artist fights back with a scratchy-throated scream that says, “I refuse to live by anyone else’s script.”

Under the frantic delivery you can hear a turning point. Luísa thanks the past for shaping who she is, then snaps at herself to “stop whining” and reclaim her power. The result is a raw portrait of burnout, impostor syndrome, and the messy path toward self-respect. It is cathartic, a bit chaotic, and ultimately empowering, reminding listeners that feeling shattered can be the first step to gluing yourself back together on your own terms.

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