Se Não Chorar Com Pagode Lyrics in English Ludmilla

Below, I translated the lyrics of the song Se Não Chorar Com Pagode by Ludmilla from Portuguese to English.
Verse 1
Sit here so we can talk
Cause the longing's killing me
I want another chance for us two
But I'm not gonna keep humiliating myself
And if you're down, I'll hit play
I'll take back what I said, what I said
But if you hear Belo singing Perfume and don't get moved
Then it won't even be possible to start
Waste of time, it's already the end of the feeling
Hearing Sorriso's old songs and feeling nothing
There's no forgiveness
Going to a Thiaguinho show and not singing along
Pericão lifting his voice and you not getting goosebumps
If pagode doesn't make you cry, there's no way
Our love's already over, there's no fix
If Vitinho's voice doesn't say anything to you anymore
It's because you aren't in love anymore
If pagode doesn't make you cry, there's no way
Our love's already over, there's no fix
If not even Alcione moves you
It's because you're already dead inside
It's better to break up, better to break up
But if you're down, I'll hit play
I'll take back what I said, what I said
But if you hear Belo singing Perfume and it doesn't move you
Then it won't even be possible to start
Waste of time, it's already the end of the feeling
Hearing Sorriso's old songs and feeling nothing
There's no forgiveness
Going to a Thiaguinho show and not singing along
Pericão lifting his voice and you not getting goosebumps
If pagode doesn't make you cry, there's no way
Our love's already over, there's no fix
If Vitinho's voice doesn't say anything to you anymore
It's because you aren't in love anymore
If pagode doesn't make you cry, there's no way
Our love's already over, there's no fix
If not even Alcione moves you
It's because you're already dead inside
It's better to break up, better to break up
Better to break up
Lyrics and Translations Licensed & Provided by LyricFind
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SONG MEANING

Se Não Chorar Com Pagode is Ludmilla’s playful ultimatum to a fading lover. She sits them down for a heart-to-heart and proposes a simple test: if the sparks still fly when classic pagode songs play, there is hope; if not, their romance has already flat-lined. From Belo singing “Perfume” to timeless tracks by Sorriso Maroto, electrifying shows by Thiaguinho, and the soulful vocals of Péricles, Vitinho, and the legendary Alcione, she lines up Brazil’s pagode greats as emotional checkpoints. Each artist represents a memory, a goosebump, a tear waiting to fall.

The message is clear and cheeky: true love feels the rhythm. If these iconic melodies no longer make the heart race or the eyes mist, then the relationship is beyond repair. Ludmilla wraps this bittersweet truth in lively, upbeat pagode flavor, turning a breakup warning into a celebration of Brazilian music’s power to measure passion itself.

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