Les Filles d'aujourd'hui paints a playful yet bittersweet picture of modern love. Joyce Jonathan and Vianney sing about young women who seem indecisive, unpredictable, constantly on the move. One minute they are “crazy in love,” the next they vanish before the story even begins. The chorus wonders, “Flying from city to city, are we really living?”—a catchy way to question whether rapid-fire romances and digital-age spontaneity can ever replace deep connection.
Behind its light melody, the song gently criticizes both genders for this restless pattern. It suggests that girls may follow the wind, but guys do it too, and everyone ends up swapping partners as easily as changing train stations. Ultimately, the lyrics invite us to stop, breathe, and ask ourselves: Is constant motion worth the emptiness that follows? Or should we slow down to let real love take root?