Kishta is a slang term that refers to a large wad of cash or a significant amount of money. It's a word rooted in North African Arabic dialects, commonly used in French urban slang.
In the context of the song, the line "Une grosse kishta, une petite sacoche" (A big wad of cash, a small satchel) highlights the artist's success and wealth, contrasting the large sum of money with a smaller bag, implying that the money is substantial enough to barely fit. It's an interesting word because it's not standard French, offering a glimpse into contemporary street language and cultural influences.
Mig and Naza team up for "Tous Les Jours" [Every Day], a track that pulls you into their world with a mix of street wisdom and personal reflection. Mig opens up, admitting, "J'connais mes torts mais c'est son p'tit cœur que j'ai touché" [I know my wrongs, but it's her little heart I touched], hinting at relationship struggles amidst a tough environment. He talks about the constant threat and paranoia, saying, "J'suis parano, je m'attends au pire" [I'm paranoid, I expect the worst], and how this impacts trust, with his partner calling him on video because "Elle a pas confiance" [She doesn't trust].
The song also touches on loyalty and ambition. Mig sees himself as "l'jeune d'en bas qui veut viser le top" [the young one from below who wants to aim for the top], surrounded by a real crew, "L'équipe elle est sah, les faux on les sent" [The team is real, we feel the fake ones]. There's a blunt acknowledgment of consequences, "Le mal qu'on a fait on va l'payer" [The bad we've done, we'll pay for it], and a sense of urgency, "Le temps c'est le temps, on l'retrouve pas quand on l'perd" [Time is time, we don't get it back when we lose it]. The chorus, "Elle m'appelle tous les jours / J'ai bigo sur écoute / J'ai mon joujou sur moi / J'appuie, ça fait des trous" [She calls me every day / My phone is tapped / I have my toy on me / I press, it makes holes], is pretty intense, painting a picture of a life lived on the edge, where danger is a daily reality.