Manos Rotas paints the picture of a love story that has given so much it finally snaps. DELLAFUENTE and Morad sing from the perspective of someone who poured every ounce of effort into a relationship—“dio tanto que se rompió”—only to watch it crack under the strain. Money, status, even promises of “dar el mundo” prove meaningless when trust, time, and attention are left “en visto.” The lyrics juggle street realism and poetic yearning: broken hands symbolize both hard work and emotional fracture, while cosmic imagery (“obsesionada con to' las galaxias”) shows the distance that’s grown between two people who once felt inseparable.
The chorus circles back like an insistent memory, reminding us that what could have been is the real casualty. Over a hypnotic beat, the artists explore the emptiness that follows heartbreak: questioning love itself, feeling searched and hollowed out “como un registro,” yet still unable to shake an addictive fascination with the other’s gaze. It is a bittersweet anthem for anyone who has loved fiercely, lost painfully, and realized that sometimes even the strongest devotion can end with manos rotas—hands worn down by holding on too tight.