Demo Nello Stereo Lyrics in English Fabri Fibra

Below, I translated the lyrics of the song Demo Nello Stereo by Fabri Fibra from Italian to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Oh, come on, Fiber
Come on, hunt two rhymes
Come on
Ehm (hahaha)
It is better to have a dead person in the house than to dissare Fiber
I get the monkey for every rapper who quotes me
I deny defeat, disgust
Fame is a whore who looks at you and tells you
'You're not my type'
I have a thousand punch lines, I'm like kicks in the belly
My rhymes bench, beat like Tatanka
My girl is a saint, I hate my whole childhood
I spit shit as long as rap finances me
I made money but I remain myself (myself)
I fill 'sti sheets, how much time I lost (I lost)
Half of Milan raps like Guè, the other like Marracash
The public is fine with the same (the same)
The true recognizes the true (seh)
I always have a full fridge (seh)
I used to bring my verses on cassettes
And then I would find the demo in the stereo
The demo in the stereo
The demo in the stereo
In the stereo
Okay, do we want to talk a bit about discography?
I had sick rap before the pandemic
They said I wouldn't finish a minchia
Too bad I also did platinum with 'Mr. Sympathy'
My accent flies away, never comes back
From Marche to Lombardy, like 'va dà via el cu''
And even though I was better before, I always have another rhyme
I don't miss heroin, fuck I say, irony
I have nothing against gays who want to rap today (no)
Take that microphone and say the fuck you like (seh)
And also get paid, but don't disagree with me, fra'
Those who have tried now are underground like the Carrà
I made money but I remain myself (myself)
I fill 'sti sheets, how much time I lost (I lost)
Half of Milan raps like Guè, the other like Marracash
The public is fine with the same (the same)
The true recognizes the true (seh)
I always have a full fridge (seh)
I used to bring my verses on cassettes
And then I would find the demo in the stereo
The demo in the stereo
The demo in the stereo
In the stereo
You can't understand how the fuck they make rappers
They fall asleep and dream that they sell me the goods
But I find it funny
For now, music is the only amazing
Don't talk to me about envelopes, I wrapped demo tapes
I sent them all over Italy to every DJ (every DJ)
And I don't aim your tipe, but if I wanted I could
And she too, too, she, and she, and she (and she, and she)
Well, how much I like 'sta stuff, nice story (nice story)
There is an envious face for every purple banknote
Same team, same, only the cachet has changed
I always have people around me (because)
Because he understood that
I made money but I remain myself (myself)
I fill 'sti sheets, how much time I lost (I lost)
Half of Milan raps like Guè, the other like Marracash
The public is fine with the same (the same)
The true recognizes the true (seh)
I always have a full fridge (seh)
I used to bring my verses on cassettes
And then I would find the demo in the stereo
The demo in the stereo
The demo in the stereo
In the stereo
The demo in the stereo
In the stereo
The demo in the stereo
In the stereo
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Lyrics © Universal Music Publishing Group
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scimmiamonkey / craving

Scimmia literally means "monkey". However, in Italian slang, "avere la scimmia" (to have the monkey) is an idiomatic expression that refers to having an intense craving or addiction, often for drugs, but it can also be used for other strong desires.

In this song, Fabri Fibra uses it to express his intense drive and almost addictive need to rap, saying "Mi sale la scimmia per ogni rapper che mi cita" (The monkey climbs on me / I get a craving for every rapper who mentions me). It's a vivid and memorable way to convey his passion and competitive spirit in the rap scene.

Fabri Fibra spends this song measuring the distance between where he started and where he ended up, and finding that the distance is smaller than people assume.

The picture he keeps returning to is the demo tape. Before any of the money, he was writing verses onto cassettes and posting them to every DJ in Italy, then hearing his own demo come back at him through a stereo. That memory is the chorus, and it works as a reminder rather than as nostalgia. The line he repeats around it is the point of the whole track: he made money, but he stayed the same person. Only the fee changed, not the team around him.

The verses are a tour of the Italian rap scene as he sees it now. He counts off how half of Milan copies one rapper and half copies another while the audience happily takes more of the same. He notes that fame behaves like someone who looks you over and tells you that you are not her type. He is dismissive of rivals, protective of the people who were there early, and openly amused by the envy that arrives with every banknote.

Underneath the boasting there is a quieter argument about staying recognisable to yourself. He admits how much time the sheets of paper cost him, keeps his accent even after moving north, and insists that the real ones still recognise each other. The demo in the stereo is what he checks himself against.

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