Laberinto translates to "labyrinth" or "maze." It's a captivating word that evokes a sense of being lost and searching for a way out.
In the song, Diego Torres sings, "Ya no quiero estar solo en este laberinto" (I no longer want to be alone in this labyrinth). He uses this word metaphorically to express the feeling of being lost and confused in life without his loved one, making it a powerful and relatable image for listeners.
Diego Torres never says who left or why in "Dame Una Señal," and that's what makes the ache in it land. He opens still expecting the person to be there out of habit: "Yo sé que a mi lado, te voy a encontrar" (I know that by my side, I'm going to find you), before admitting he doesn't even know what to do with what's left of them: "Quiero saber donde guardar, los momentos buenos, que ya no están" (I want to know where to keep the good moments, that are no longer here).
The chorus is one plain request said so many times it stops sounding like a question: "Dame al menos una señal, tengo que volverte a encontrar" (Give me at least a sign, I have to find you again). He calls the distance a maze he can't get out of: "Ya no quiero estar solo en este laberinto" (I don't want to be alone in this labyrinth anymore), and by the last chorus he's dropped everything except the ask itself: "Solo te pido que me des una señal" (I'm only asking you to give me a sign). It's a simple, sturdy pop-rock song built around one small, repeated word: señal, sign, anything.