Bandolera literally translates to "female bandit" or "highwaywoman" in English. It's a colorful, old fashioned word that conjures images of a bold, rebellious woman who plays by her own rules.
In the song, the artist sings "Bandolera, ante' rapera y ahora rockera" ("Troublemaker, former rapper and now rocker"), using the word to celebrate a woman's fearless reinvention of herself, moving from one identity to another without ever losing her rebellious edge.
"Que Mas Pues" is Ryan Castro's breakup anthem, sung by someone determined to prove he's moved on. Over a bouncing urbano beat, he tells his ex he's already forgotten her, even though she's now with someone else, and boasts that he already has three women to match her one.
The verses look back at the relationship with more bite than nostalgia. He remembers late nights and drunken calls asking him to sing to her, but says none of it meant what he thought it did. In the second verse he turns pointed, calling her out for chasing reputations and reinventing herself, and says his cold heart wrote this song about her.
By the end, the chorus repeats like a shrug: "Que mas pues", what else, then. The relationship is over, and he's not looking back.