Presentimiento translates to "premonition" or "hunch". It's a compelling word that captures a feeling of knowing something before it happens, often with a sense of foreboding.
In the song, Kany García sings, "Tú no me has dicho que te vas y yo que ya lo siento, como un presentimiento" (You haven't told me you're leaving and I already feel it, like a premonition). This word immediately sets a melancholic and reflective tone, drawing the listener into the emotional depth of the lyrics as she anticipates an impending breakup.
Kany García and Camilo sing a breakup that nobody has announced yet. The opening line states the whole problem — "Tú no me has dicho que te vas y yo que ya lo siento" (You haven't told me you're leaving and I already feel it) — and the second verse closes it: "Sigues estando al lado mío pero ya te fuiste" (You're still beside me but you've already gone). The evidence is domestic and small. "Puedo ver tus cajones ya vacíos" (I can see your drawers already empty), and the singer refuses to open them again, "pa' ver si me engaño" (to see if I can fool myself).
The second half is an inventory of plans with nowhere left to go: concert tickets, "¿Y el hotelito reservado para el viaje?" (And the little hotel booked for the trip?), a phone full of messages, friends who are going to ask. "Tú no te has ido y yo estoy haciendo planes pa' extrañarte" (You haven't left and I'm already making plans to miss you). The chorus names what is actually being lost — not the relationship as it is now, but the version of it the singer had already pictured, the two of them old together "como lo viejo del Titanic" (like the old couple on the Titanic), the pair who stay in their cabin while the water comes in.