En El Otro Extremo Lyrics in English by Shinova

Below, I translated the lyrics of the song En El Otro Extremo by Shinova from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
I move to the rhythm of the rivers of tourists
That keep their moments in glass retinas
The shellers play and the old man portraitist
Outline the face of a postcard Sinatra
The light spectrum is decreasing
The noise becomes much less dense
I hear scraps of conversation
Calls home from the station
I enter the carriage
Anyone there
Anyone there
We will always be far away
There is always someone to miss
A phone that waits for our voice from the other end
I respond to pending messages
Minutes before arriving in your city
The metallic voice warns sailors
And plans on scenes of haste and lightness
But the increasing distance from my watchtower
Of savages with a raised hand
I find in your face a haven of peace
We are not made to walk
Lonely
Anyone there
Anyone there
We will always be far away
There is always someone to miss
A phone that waits for our voice
From the other end
We are descendants of travelers
We are the eternal passengers
Together they travel hemispheres
With the weight of a countdown
We will always be far away
There is always someone to miss
A phone that waits for our voice
We will always be far away
There is always someone to miss
A phone that waits for our voice
From the other end
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Warner Chappell Music, Inc.
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atalayawatchtower

Atalaya literally translates to "watchtower" or "lookout point." It's a less common, evocative word that conjures images of ancient structures and vigilance.

In the song, the phrase "la creciente distancia de mi atalaya" (the growing distance from my watchtower) suggests a feeling of being far from a place of safety, perspective, or perhaps even a sense of self. It adds a layer of introspection and longing, making it a memorable and intriguing word choice.

Shinova opens this one on a train platform: tourists photographing everything, card-hustlers working the crowd, and an old street artist sketching a stranger's face — "Delinea el semblante de un Sinatra de postal" [sketches the face of a postcard Sinatra]. Then the narrator gets on board — "Entro en el vagón" [I get on the train] — and the whole song narrows to one line asked twice into the quiet: "Hay alguien ahí" [Is anyone there].

That question is the song. The chorus answers it with an image rather than a reassurance: "Un teléfono que espera nuestra voz desde el otro extremo" [A phone waiting for our voice from the other end]. By the bridge Shinova says outright what the train scene was building toward — "Somos descendientes de viajeros" [We are descendants of travelers], "Somos los eternos pasajeros" [We are the eternal passengers] — people who are always leaving, always missing someone, always doing the math on a countdown to the next goodbye.

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