Esposas is a fantastic example of a Spanish word with a clever double meaning. It translates to both "wives" and "handcuffs", and the correct meaning depends entirely on the context.
In the line "Sin la boda, las esposas voy a ponerte" (Without the wedding, I'm going to put the handcuffs/wives on you), Rauw Alejandro makes a spicy and playful pun. He's twisting the idea of marital commitment into a moment of passion, which is a perfect example of the clever wordplay you can find in modern Spanish music.
Rauw Alejandro and Lyanno are not playing around in "LA NENA." The song kicks off with an immediate, intense connection. One person sends a message, and the other is instantly ready to go: "Tú me tiraste y me activé" (You hit me up and I got activated). They describe a steamy encounter where they "Hicimos el amor, pero sin quitarnos la ropa" (made love, but without taking off our clothes), which paints a very specific picture of how heated things got.
The whole track is a back-and-forth about this powerful physical attraction. Rauw boasts, "Yo creo que te enamoré" (I think I made you fall in love), but then calls her "qué problema la nena" (what a problem, the girl), suggesting their chemistry is wild and maybe a little complicated. They both agree to do it all again because neither of them is willing to back down from the intensity. It's a song about mutual, overwhelming desire that's too strong to ignore.