Tiraste A Matar (literal meaning: You shot to kill) is León Larregui’s passionate confession of a love on the brink. The singer begins in free-fall, admitting that if his partner leaves, “no queda nada bueno” — nothing good will remain. He feels as if her words have “hit him in mid-flight,” and he openly owns up to behaving “como un pendejo.” This imagery of being shot down captures the raw sting of guilt and heartbreak, pulling the listener straight into his moment of reckoning.
Yet the song is not only about pain. As the verses unfold, Larregui pivots from regret toward redemption. He recognizes the “karma denso” he has carried, promises he is “ya no el mismo de antes,” and vows to never risk this love again. The mood finally lifts into an invitation: “Mejor bailemos que todo está bien” — better to dance, because everything is fine. Imperfect but determined, the couple decides to love “más fuerte que ayer” while the world spins upside-down. It is a fiercely honest reminder that humans can wound each other, heal, and then choose to celebrate — all in the same breath.