Chambre 12 Lyrics in English by Louane

Below, I translated the lyrics of the song Chambre 12 by Louane from French to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Dans la pénombre chambre 12
In the dimness of room 12
C'est sa belle ombre que j'épouse
It's his beautiful shadow that I marry
La lune m'écoute, la nuit me trouble
The moon listens to me, the night troubles me
J'voyage solo, sur mon lit double
I travel alone, on my double bed
La pluie tombe sur la chambre 12
The rain falls on room 12
L'odeur des murs chante mon blues
The smell of the walls sings my blues
J'y ai cru comme on croit en Dieu
I believed in it like one believes in God
Seule je rejoins ce joint de beuh
Alone, I join this joint of weed
Dis moi qu'aurais-je pu faire de mieux
Tell me, what could I have done better
Mais qu'est-ce qu'on y peut
But what can we do
Revenir une dernière fois pour se dire adieu
To come back one last time to say goodbye
Dis moi qu'aurais-je pu faire de mieux
Tell me, what could I have done better
Mais qu'est-ce qu'on y peut
But what can we do
Revenir une dernière fois pour te dire adieu
To come back one last time to say goodbye
Pour te dire adieu
To say goodbye
Pour te dire adieu, dieu, dieu, dieu, dieu, dieu
To say goodbye, God, God, God, God, God
Pour te dire adieu
To say goodbye
Même la poussière chambre 12
Even the dust in room 12
Elle sent l'amour, elle sent la loose
It smells like love, it smells like failure
Tout était clair, rien n'était sûr
Everything was clear, nothing was certain
Il parlait vrai, il parlait dur
He spoke the truth, he spoke harshly
A la fenêtre les taxis passent
At the window, taxis pass by
Les couples s'enlacent et puis se lassent
Couples embrace and then grow tired
Les bouches se touchent et puis se cassent
Mouths touch and then break apart
Les histoires s'écrivent puis s'effacent
Stories are written and then erased
Dis moi qu'aurais-je pu faire de mieux
Tell me, what could I have done better
Mais qu'est-ce qu'on y peut
But what can we do
Revenir une dernière fois pour se dire adieu
To come back one last time to say goodbye
Dis moi qu'aurais-je pu faire de mieux
Tell me, what could I have done better
Mais qu'est-ce qu'on y peut
But what can we do
Revenir une dernière fois pour te dire adieu
To come back one last time to say goodbye
Pour te dire adieu
To say goodbye
Pour te dire adieu, dieu, dieu, dieu, dieu
To say goodbye, God, God, God, God
Pour te dire adieu
To say goodbye
Pour te dire adieu
To say goodbye
Pour te dire adieu
To say goodbye
Pour te dire adieu
To say goodbye
Pour te dire adieu, dieu, dieu, dieu, dieu
To say goodbye, God, God, God, God
Pour te dire adieu, dieu, dieu, dieu, dieu
To say goodbye, God, God, God, God
Pour te dire adieu
To say goodbye
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Universal Music Publishing Group
TRISTAN SALVATI, YOHANN MALALA MICHEL
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pénombre — gloom / semi-darkness

Pénombre translates to "gloom" or "semi-darkness". It's a more evocative and poetic word than simply "darkness" (obscurité), suggesting a soft, lingering shadow rather than complete absence of light.

In "Chambre 12," Louane uses this word to set a melancholic and intimate atmosphere right from the opening line: "Dans la pénombre chambre 12" (In the gloom, room 12). It immediately draws the listener into the song's reflective and somewhat somber mood, making it a memorable and interesting choice.

Louane sets the whole song inside one motel room, replaying a night that's already over. "Dans la pénombre chambre 12" ("In the dimness of room 12") opens on rain and a bed built for two that she's lying in alone: "J'voyage solo, sur mon lit double" ("I travel alone, on my double bed"), while she admits "C'est sa belle ombre que j'épouse" ("It's his beautiful shadow that I marry") — she's married to a memory, not to him. She says she believed in it the way you believe in God, "J'y ai cru comme on croit en Dieu," and that line sets up the chorus's real trick: "pour te dire adieu" (goodbye) keeps stuttering down into its own hidden "dieu" (God), as if every goodbye she repeats is also a small loss of faith.

The second half pulls the camera back from her own story to the room's: "Même la poussière chambre 12" ("Even the dust in room 12") has seen this before, watching taxis pass the window while other couples' romances start and end the same way — "Les histoires s'écrivent puis s'effacent" ("Stories are written and then erased"). Room 12 isn't really about one relationship; it's the room that outlives all of them, and Louane's goodbye is aimed as much at the place as at the person.

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