Escombros translates to "rubble" or "debris". It's a vivid and somewhat dramatic word that isn't commonly found in everyday song lyrics, making it stand out.
In the song, the artist uses it metaphorically when he sings, "en el surco se construyó el templo de mis escombros" (in the furrow, the temple of my rubble was built). This powerful imagery suggests building something meaningful or sacred from the broken pieces of his past or struggles, highlighting themes of resilience and creation from destruction.
DELAOSSA and J.Mood take us on a really personal journey in "Es Peligroso Asomarse al Interior" [It's Dangerous to Look Inside]. It feels like a confession, starting with a memory of a last hug and a promise: "me dio el último abrazo y me dijo saldrá de ésta" [she gave me the last hug and told me he'd get out of this]. From that moment, he lives "como el que tiene una deuda permanente" [like someone with a permanent debt], constantly battling time and trying to relive the past.
He's honest about the struggle, admitting he tells people he's fine, but to create, he feels he has to "morir ya sea por la droga por una mujer" [die, whether by drugs or a woman]. He questions how he can rise if he's never fallen. The song explores the creative process, too, comparing their collaboration to artists like Dalí and Buñuel, where "empleamos los sueños sobre el papel" [we use dreams on paper]. It's about pulling something out of nothing, giving form to a kiss or a scream. He even says, "si no entienden lo que digo es tan de aquí zorra" [if you don't understand what I'm saying, it's so from here, bitch], which is a pretty blunt way of saying this is his truth. He's a "borracho bebiendo por tan verso de la nostalgia" [drunk drinking for such a verse of nostalgia], living in non-existent days and cold nights. He found his way through bad company and sadness, and now, a new person appears like a melody. It's a powerful look at internal conflict, creation, and the search for meaning amidst chaos.