Dai Che Fai Lyrics in English by Bresh

Below, I translated the lyrics of the song Dai Che Fai by Bresh from Italian to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Verse 1
I didn't choose what I did
I'm inside someone else's body and
I find a way to take a leap
I haven't been back for ages now
I go out to the square, but I don't know who's there
Outside my school the Motorola was ringing
Helmets always in hand, the music coming from the phone
Fog over the neighbourhood, we were dying of boredom
Early evening, and I'd greet the dawn with you
Chorus 1
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, they shatter the windows
They come into the room and fall on the piano and play all night
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, the stars explode
And around the neighbourhood they roam all night, they knock on every door
Verse 2
You used to say to me, 'So, uh... can I come and pick you up?'
I'm in Quinto among the rocks and I've got nothing to lie down on
With megaphones, I was looking for you in the alleys
I never sleep
The car parks all taken, the soldiers' slaps
The techno crowd wasn't listening to rap
Fog over the neighbourhood, we were dying of boredom
Early evening, and I'd greet the dawn with you
Chorus 2
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, they shatter the windows
They come into the room and fall on the piano and play all night
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, the stars explode
And around the neighbourhood they roam all night, they knock on every door
Bridge
I'm really back, I'm sane by a hair
I changed because of the money, but I don't think so, no
I only raise my voice when I'm joking
I stay calm in Venom's arms
Chorus 3
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, they shatter the windows
They come into the room and fall on the piano and play all night
Come on, what are you doing? You're glued to the doorbell, tell me, come on, what's wrong?
The shouts downstairs are the same, the stars explode
And around the neighbourhood they roam all night, they knock on every door
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Caligo — Fog / Mist

Caligo translates to "fog" or "mist". It's a less common and more evocative word than the everyday "nebbia" for fog, giving it a poetic and slightly mysterious feel.

In the song, Bresh uses it to describe the atmosphere of his neighborhood, singing "Caligo sulla zona, morivamo di noia" (Fog over the area, we were dying of boredom). This imagery suggests a sense of stagnation or a hazy, perhaps melancholic, memory of his youth, making it a unique and memorable choice.

Bresh spends this whole song in one Genoa neighbourhood, and he dates it with objects rather than years: "Fuori dalla mia scuola suonava il Motorola" (Outside my school the Motorola was ringing), helmets carried around by hand, music coming out of a phone speaker. The mood underneath it is boredom, said outright in "Caligo sulla zona, morivamo di noia" (Fog over the neighbourhood, we were dying of boredom). Caligo is the Genoese word for the sea fog that sits on the city, and reaching for it instead of the standard Italian is the point: this is one specific place, not a generic hometown.

The hook is someone at the door who will not go away. "Dai, che fai? Ti attacchi al campanello, dimmi, dai, cos'hai?" (Come on, what are you doing? You lean on the doorbell, tell me, come on, what's wrong?) is the sound of being pulled out of the house, and the chorus follows that noise into the street, through a window and onto a piano until morning. The details stay small and physical, like "Sono a Quinto tra i sassi e io non ho niente per stendermi" (I'm in Quinto among the rocks and I've got nothing to lie down on), a real stretch of rocky Genoese shoreline rather than a beach. By the last verse he is totting up what the years cost him: "Sono cambiato per i soldi, ma non credo, no" (I changed because of the money, but I don't think so, no). He does not sound entirely sure.

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