“El Beso” is Mon Laferte’s playful but feverish ode to the infinite language of kissing. From the moment she wakes up, the Chilean-Mexican singer catalogs a whole buffet of kisses—mojado, lento, tierno, arrebatao’, mordido, chupeteao’. Each variation paints a different shade of desire, showing how a single act can be tender, dangerous, comforting, or downright wild. The chorus’s urgent “¡Bésame!” turns the song into a sensual countdown, as if every kiss might be the last spark before goodbye.
Beneath the seduction hides vulnerability. Mon Laferte asks for “un último beso” that will drown her heartbreak and prove that the love once shared still burns. By mixing swagger (“contacto a lo mafioso”) with raw confession (“este tonto corazón que llora”), she reminds us that passion and pain often share the same stage. The result is a vibrant, theatrical plea for connection—one kiss at a time.