"Ahí Voy" is Fito Páez running through a gallery of kids who bolt from home, and then admitting he is one of them. Each verse is a tiny, blunt portrait. Yazmín is fifteen, delicate, with eyes like "dos gotas de té" (two drops of tea). She leaves with "sin notas, sin porqués" (no notes, no whys), and the next line lands hard: "hoy empieza en un burdel" (today she starts in a brothel). Andy leaves thinking "peor que en casa nunca estaré" (I'll never be worse off than at home). Rosa gets caught "con dos kilos" (with two kilos) while doing a friend a favour before her plane takes off in San Pablo (the Spanish name for São Paulo, Brazil). Dany hears voices if they take away his pills.
Then the chorus flips the camera. "Ahí voy" means "here I go", and Fito keeps repeating it like someone stepping out the door anyway: "cayendo en la tentación" (falling into temptation), "con mis muertos, con mi dolor" (with my dead, with my pain), and finally "yo también me escapé una vez" (I ran away once too). The shrug line "las cosas no cambiaron tanto" (things didn't change that much) is the bitter joke of the song. Watch the Argentine slang: "pibe" is "kid", "vos venís" is the Rioplatense way of saying "you come", and "te juego un pulso" is a dare to arm-wrestle. It ends with him "llegando a ningún lugar" (getting nowhere), which is honest, if a little bleak.