A Fadista Lyrics in English by Ana Moura

Below, I translated the lyrics of the song A Fadista by Ana Moura from Portuguese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Tight black dress
Long black hair
And embroidered black shawl
Going up the avenue at night
Whoever passes by thinks she's lost
Woman of vice and sin
And she's being mistaken
Insulted and pursued
By the usual invitation
She enters the singing café
Followed provocatively
By those who want to buy her
A guitar trilling
A shadow slowly
Advances to the middle of the room
She begins to sing
And those who wanted to buy her
Sit at the table watching her
Ancient and so profound song
That coming from the end of the world
Is prayer, lament, or proclamation
And all those who heard her
By candlelight seemed
Devotees in prayer
And those who just offended her
With closed eyes, they listened
As if asking her for forgiveness
Tight black dress
Long black hair
And black shawl draped
Singing for that table
She assures them
That she has already forgiven them
And in front of her, on the table
As in prayer to a goddess
In silence, fado is heard
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © S.P.A.(SOCIEDADE PORTUGUESA DE AUTORES)
Pedro Freitas, Rodrigo Dos Santos
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FadistaFado Singer

The word Fadista refers to a singer of Fado, a traditional Portuguese music genre known for its melancholic and expressive nature. It's a culturally rich word that immediately evokes the essence of Portuguese heritage.

In the context of the song, "A Fadista" (The Fado Singer) is the central character, a woman initially judged and misunderstood, who ultimately captivates and redeems herself through the power of her Fado singing. This word is not only unique to the song's theme but also provides a direct link to the heart of Portuguese culture.

"A Fadista" tells its story from the outside in. A woman in a "Vestido negro cingido" [Tight black dress] walks up the avenue at night, and the men who pass her only see a "Mulher de vício e pecado" [Woman of vice and sin] — insulted and followed before she's said a word.

Then she opens her mouth. The song turns on "Ela começa a cantar" [She begins to sing], and the same men who judged her sit down to listen, because what comes out is "Canto antigo e tão profundo" [Ancient and so profound song], "É prece, pranto ou pregão" [Is prayer, lament, or proclamation]. By candlelight, the ones who'd just insulted her now look like "Devotos em oração" [Devotees in prayer], and she answers not with anger but with grace: "Ela dá-lhes a certeza / De já lhes ter perdoado" [She assures them / That she has already forgiven them]. Fado does the work no argument could — the room goes quiet, and everyone finally hears who she actually is.

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