Vicio translates to 'vice' or 'addiction'. It's a powerful word that goes beyond simple desire, implying a strong, often unhealthy, dependency.
In "Ferxxoko," the artists use "vicio" to describe the intense, almost inescapable pull they feel towards each other in a tumultuous relationship. They sing, "Porque ella es mi vicio y no la quiero dejar" (Because she is my vice and I don't want to leave her), highlighting the addictive nature of their connection despite its complexities.
“Ferxxoko” feels like a secret rendez-vous set to a pulsating reggaetón beat. Joyce Santana joins forces with Colombian star Feid to narrate a hot-and-cold situationship where chemistry rules and commitment is off the table. The woman in question slips in when the party is peaking, offers a night of sweat-soaked perreo, then ghosts once the buzz fades. He craves her like a vice, hunting for her in every club light, while she treats him like a guilty pleasure she can’t fully quit.
The lyrics swing between raw desire and playful frustration: he’s “thinking of devouring” her, she’s fixated on his fame, and both admit their attraction feels almost addictive. Terms like “gatita vegana,” “antisocial,” and storm imagery (“Huracán María”) paint her as wild, independent, and impossible to pin down. In short, “Ferxxoko” captures the thrill of a reckless fling—intense, fleeting, and irresistibly repeat-worthy.