Callejero Y Mujeriego Lyrics in English by Calibre 50

Below, I translated the lyrics of the song Callejero Y Mujeriego by Calibre 50 from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
I know you've said you're leaving
No longer threatening
Go to the devil and tell the devil
That there I will be waiting for you
Pa ́ stick a fart
And wake up crazy
You met me drunk
Street map and womanizer
Why do you do so much pancho
If you shut up with money
Let me step on quietly
Don't fart it to me anymore
Let me nomas ironed
Clothes to wear now
And pininfarin radius
And the keys to my troca
The checkbook and the bills
What you took out of my bag
Go away and don't return anymore
Why you're going to find another
You told me you're leaving
Go away at once
You know I'm worth it mother
To the right and vice versa
Go but go away
Never to see you again
Let me nomas ironed
Clothes to wear now
And pininfarin radius
And the keys to my troca
The checkbook and the bills
What you took out of my bag
Go away and don't return anymore
Why you're going to find another
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mujeriegowomanizer

Mujeriego translates to "womanizer" or "ladies' man". It's a descriptive and somewhat provocative word that immediately tells you a lot about the character being described in the song.

In "Callejero Y Mujeriego," the singer uses it to describe himself, stating, "Me conociste borracho, Callejero y mujeriego" (You knew me drunk, a street hustler and a womanizer). This word is key to understanding the song's narrative about a man who is unapologetically himself, despite his partner's complaints.

This song is a funny, rough breakup from the guy’s point of view. The narrator is a hard‑drinking, street guy who admits what he is: “Me conociste borracho, callejero y mujeriego” [“You met me drunk, a street guy and a womanizer”]. He’s basically telling his girlfriend, “You knew exactly who I was, so why the drama now?” When she threatens to leave, he doesn’t beg her to stay. Instead, he throws out lines like “Vete al diablo y dile al diablo que allá lo estaré esperando” [“Go to hell and tell the devil I’ll be there waiting for him”], turning the breakup into a mix of insult and dark humor.

At the same time, he’s very clear about what he cares about: his drinking, his freedom, and his stuff. He tells her to “Déjame pistear tranquilo” [“Let me drink in peace”] and only asks her to leave his clothes ironed, the “radio pininfarina” [his nice car stereo], the truck keys, checkbook, and cash: “Y las llaves de mi troca, la chequera y los billetes que sacaste de mi bolsa” [“And the keys to my truck, the checkbook, and the bills you took from my pocket”]. That’s darkly funny and also pretty cold. By the end, when he repeats “Vete pero vete lejos para no volverte a ver” [“Go, but go far so I don’t see you again”], it feels like he cares more about his next party than about losing her. It’s Calibre 50 at their most blunt: a guy choosing booze, the streets, and his ego over love, and not even pretending otherwise.

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