Transit À Marilou Lyrics in English Serge Gainsbourg

Below, I translated the lyrics of the song Transit À Marilou by Serge Gainsbourg from French to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Intro
Vroom, vroom, here I am, pink crate
Ghost plane, hoo hoo
Aeroplane, old banger
Verse 1
Whose altimeter is falling apart
I can barely distinguish
The markers of the soft ground
Where I land like a daredevil
Verse 2
I languish in the oral night
I'm going to make a quick transit
Am I with the cannibals?
Verse 3
A breath of peppermint
Invades my cockpit, ding-ding
I feel the fuselage vibrate
My joystick stands erect
Verse 4
In the control tower at the end of the runway
A cunnilingual voice makes me go Glug, glug
I read you five by five
Verse 5
But what is this godforsaken hole?
Am I in Zulu land?
But no, come on, am I crazy?
I've landed at Marilou
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Lyrics © RESERVOIR MEDIA MANAGEMENT INC
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cunnilinguecunnilingus (adjective)

Cunnilingue is an adjective derived from the sexual act of cunnilingus. It's a highly unusual and provocative word to find in a song, especially in a mainstream context, making it instantly memorable and intriguing.

In the song, Serge Gainsbourg uses it to describe a "voix cunnilingue" (cunnilingus voice) coming from the control tower. This personifies the voice in a suggestive and explicit way, hinting at the song's playful and often risqué themes, characteristic of Gainsbourg's style. It's a word that immediately grabs attention due to its rarity and explicit nature.

"Transit À Marilou" comes from Serge Gainsbourg's 1976 concept album "L'Homme à tête de chou," where the whole record follows one obsessive love story. Here Gainsbourg turns a plane journey into an extended, tongue-in-cheek metaphor for desire and disorientation.

The narrator pictures himself as a rickety little aircraft, engine sputtering, altimeter failing, losing his bearings as he tries to land. Every technical detail of the flight, from the cockpit to the control tower, doubles as something more intimate, in classic Gainsbourg style: playful wordplay hiding an explicit joke just under the surface.

It's less a story with a plot than a mood: giddy, a little lost, and unmistakably French in its mix of humor and seduction. The final line, "Je suis à Marilou," lands the whole flight, literally and otherwise, at the woman who has been the destination all along.

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