Calzoncillos translates to "underpants" or "boxer briefs". It's a fun and somewhat unexpected word to hear in a pop song, making it memorable and a bit cheeky.
In the song, Lali playfully mentions, "estoy en calzoncillos, en medias" (I'm in my underpants, in my socks). This line adds a touch of humor and vulnerability, showing a relaxed and authentic side of the artist, which is quite engaging for listeners.
"Quiénes Son?" ("Who Are They?") is Lali's answer to the noise around her: the whispers, the judgment, the people who talk without really knowing her.
She opens with a playful greeting to herself ("Hi, dear Lali") before turning straight to the real question of the song: who are these people to weigh in on her life at all?
The lyrics lean into total self-possession. She pictures herself in a museum, alive and thriving, proud of her own history and unbothered by outside scrutiny. The repeated "¿Quiénes son?" isn't really asking for names. It's a way of saying nobody gets to define her.
The bridge gets pointed. "Talk, talk, talk, pure trash, baby" calls out empty gossip directly, while she keeps circling back to being present in someone's mind rather than needing their approval. It plays less like a diss track and more like a boundary she's setting for herself.