Noite De Hotel Lyrics in English by Caetano Veloso

Below, I translated the lyrics of the song Noite De Hotel by Caetano Veloso from Portuguese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Hotel night
The satellite dish only captures video clips
Dilution in polluted water
And pollution is chemical and not organic
Of the poet's blood
diabolical chant
Goofy mime
Hotel night
And the satanic presence is that of a dead devil
In which I don't recognize Carlos' crooked angel
Not the other, just fury and joy
To whom Aunt Jagger asked for sympathy
Hotel night
Hatred of Graham Bell
And on the phone
Transatlantic call
I do not know what to say
To this woman
Powerful and illuminated
Who knows how to explain it to me perfectly
And you don't understand me
And you don't understand me at all
Hotel night
I'm at zero, always the big sucker
And never the mere act of composing a song
For me it was so desperately needed
Hotel night
Hatred of Graham Bell
And on the phone
Transatlantic call
I do not know what to say
To this woman
Powerful and illuminated
Who knows how to explain it to me perfectly
And you don't understand me
And you don't understand me at all
Hotel night
I'm at zero, always the big sucker
And never the mere act of composing a song
For me it was so desperately needed
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Lyrics © TERRA ENTERPRISES, INC., Warner Chappell Music, Inc.
Caetano Emmanuel Viana Teles Veloso
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CantilenaChant / Monotonous song

Cantilena refers to a monotonous, repetitive song or chant. It's a less common word than

Caetano Veloso's "Noite De Hotel" [Hotel Night] drops us right into a scene of modern isolation and frustration. He's stuck in a hotel room, where the satellite dish only picks up music videos, and he feels a sense of "Diluição em água poluída" [Dilution in polluted water]. It's a feeling of being disconnected and overwhelmed by artificiality, even referencing "Ódio a Graham Bell" [Hate for Graham Bell] and the telephone, especially when facing a "Chamada transatlântica" [Transatlantic call].

He's grappling with a powerful, intelligent woman who "sabe me explicar perfeitamente E não me entende E não me entende nada" [knows how to explain everything perfectly to me And doesn't understand me And doesn't understand anything]. This creates a deep sense of misunderstanding and loneliness. He sees himself as "Estou a zero, sempre o grande otário" [I'm at zero, always the big fool], and composing a song, usually a simple act, feels "tão desesperadamente necessário" [so desperately necessary] for him. It's a raw look at the struggle to connect and create in a world that often feels alienating.

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