Troquita is a diminutive of troca, which is a colloquial term for 'truck' in some Spanish-speaking regions, particularly Mexico and among Mexican-Americans. The use of the diminutive '-ita' adds a sense of endearment or implies a smaller size, though it's often used casually without strictly meaning 'small'.
In the song, the line "Chingo de morritas traigo en la troquita" (I have a ton of girls in the little truck) uses troquita to refer to the artist's vehicle, highlighting a common theme in regional Mexican music of showcasing a lifestyle that includes nice vehicles and company. It's an interesting word because it's a regionalism and a diminutive, offering a glimpse into specific cultural and linguistic nuances.
Tito Double P's "SOL MENOR" paints a picture of a man caught between two worlds. On one hand, he projects an image of power and success, bragging about having lots of women ("Chingo de morritas traigo en la troquita"), money, and powerful connections. He asks rhetorical questions about the cash in his wallet and the cost of his chains, creating a persona of a wealthy and untouchable figure.
Despite all this bravado, there's a crack in the armor. The song's core conflict is revealed in the lines, "El puto pedo es que te quiero" (The f*cking problem is that I love you). He admits he's tired of feeling distant from someone special and doesn't even want to see them anymore, yet he can't escape his feelings. This contrast between a tough, party-filled lifestyle and a vulnerable heart is what makes the song so compelling.