Lampedusa Lyrics in English Julien Doré

Below, I translated the lyrics of the song Lampedusa by Julien Doré from French to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
In this morning too hot
Where our tears get thin
Where hope narrows
Between the rope and the top
There's us, there's us
It's in that roll of the dice
Let our souls move
In this exhausted body
Crushed to the mass
Up to you, up to you
On this wobbly raft
Where moray eels crash
Where the wind goes crazy
From these cannibalized streams
There's us, there's us
There's us, there's us
I hid messages
In rose buds
That you won't be able to read
That if they are hatched
All the way to the end, to the end
They'll have their petals
To cover their faces
If the ocean swallows
Some of their beaches
Up to the neck, up to the neck
But there's us
There's us
There's us
There's us
On this wobbly raft
Where moray eels crash
Where the wind goes crazy
From these cannibalized streams
There's us
There's us
But there's us
There's us
There's us
There's us
There's us
There's us
There's us
There's us
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radeau bancalrickety raft

Radeau bancal translates to "rickety raft". It's a striking and evocative image that immediately brings to mind a precarious and fragile situation.

In the context of the song, which touches on themes of migration and survival, this phrase powerfully symbolizes the dangerous journeys undertaken by those seeking refuge. It's a less common, more descriptive term than a simple "boat," making it particularly memorable and impactful.

"Lampedusa" takes its name from the small Italian island that has become one of the main landing points for migrants crossing the Mediterranean from North Africa, often on overcrowded, unsafe boats. Julien Doré builds the song around that crossing: a hot morning, thinning tears, hope shrinking "between the rope and the summit."

The recurring line "Il y a nous" ("there's us") is the song's quiet center. It shifts the point of view from watching a crisis from a distance to standing inside it, insisting that the people on that "wobbly raft," crossing waters compared to "cannibal waves," are not a separate "them" but part of a shared "us."

The verse about hiding messages in rosebuds, readable only once they bloom, reads as a small act of hope carried through danger: something planted now, meant to be found and understood later, even if the person who planted it doesn't survive to see it.

By the end, the song strips down to almost nothing but "il y a nous," repeated like a chant, as if repetition is the only way left to hold on to that solidarity.

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