Buena Para Nada Lyrics in English by Paula Arenas

Below, I translated the lyrics of the song Buena Para Nada by Paula Arenas from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Now that I don't have the weapons, how do I win this battle?
Now that your memory attacks me with torpedoes underwater
You gave me everything
And it wasn't enough for me
Now that the argument is so poor and the nostalgia so great
Forgive me for admitting it when nothing remains of what was
You added everything
And I always subtracted
If I lied to you, I warned you, what did you expect?
I can be very good
Or good for nothing
I already learned it, I regretted it, everything passes
I can be very good
Too good
Or good for nothing
Now not even your portraits look me in the face
I tell you I've been improving, not entirely, I've been bad
You always looked for me, not even I found myself
You always looked for me, not even I have found myself
If I lied to you, I warned you, what did you expect?
I can be very good
Or good for nothing
I already learned it, I regretted it, everything passes
I can be very good
Too good
Or good for nothing
If I lied to you, I warned you, what did you expect?
I can be very good
Too good
Or good for nothing
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Luigi Castillo, Paula Arenas, Santiago Castillo
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armamentoarmament

Armamento translates to "armament" or "weaponry". It's an intriguing word choice in a song about a relationship, as it immediately sets a dramatic and combative tone.

In the lyrics, Paula Arenas sings, "Ahora que no tengo el armamento ¿cómo gano esta batalla?" (Now that I don't have the armament, how do I win this battle?). She uses this word metaphorically to describe the emotional tools or defenses she once had in the relationship, now lost, leaving her vulnerable in the "battle" of her memories and regrets.

Paula Arenas opens this one already mid-argument with herself: "Ahora que no tengo el armamento ¿cómo gano esta batalla?" (Now that I don't have the weapons, how do I win this battle?). She keeps score just as bluntly a few lines later: "Tú sumabas todo" (You added everything). "Y yo siempre restaba" (And I always subtracted). By the second verse she's stopped fighting it and just admits "ya de lo que fue no queda nada" (nothing remains of what was).

The chorus doubles as the title and the whole thesis: "Puedo ser muy buena" (I can be very good). "O buena para nada" (Or good for nothing). It's a shrug, not an apology. She owns the lie outright, no excuses: "Si te mentí, te lo advertí, ¿qué esperabas?" (If I lied to you, I warned you, what did you expect?). There's no villain in this one, just someone who knows exactly which parts were on her and isn't asking to be let off the hook for them.

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