Luchadora translates to "fighter" or "struggler". It's a strong and empowering word that describes someone who is resilient and determined.
In the song, Don Omar uses it to characterize a woman who, despite being hurt and tired of life's deceptions, doesn't give up. He sings, "Se prende como fuego chica luchadora" (She lights up like fire, a fighter girl), highlighting her inner strength and spirit. This word captures the essence of overcoming adversity.
"No Sigue Modas" is Don Omar and Juan Magán's portrait of a woman who's done performing for anyone. She still gets herself ready, but the smile is gone: "Ya no sonríe más, se arregla toda" (she doesn't smile anymore, she gets all dressed up), and once she's at the club she dances by herself, because "Ya todo le da igual no sigue modas" (now she doesn't care about anything, she doesn't follow trends). The verses explain why: someone strung her along until she was "Exhausta de evasivas, cansada de mentiras" (exhausted by evasions, tired of lies), and dancing alone became easier than trusting the wrong person again.
Don Omar plays the guy trying to talk her back onto the floor, and his method is repetition: "Quiero bailar contigo, amarte a todas horas" (I want to dance with you, love you all the time) comes back again and again between the "Ay ay ay" ad-libs, like he figures the only way through to someone this guarded is to keep saying it. It's an electro-latino dance track built around a very small negotiation: her guard against his persistence, with the beat doing most of the convincing.