Learn Spanish With Paulo Londra with these 22 Song Recommendations (Full Translations Included!)
Paulo Londra turns the timeless story of Adam and Eve into a modern, late-night adventure where forbidden love feels both risky and irresistible. Over a smooth reggaetón beat, the Argentine artist whispers an invitation to leave doubt behind, escape the cold, and rise above everyday bitterness. He paints himself and his crush as "two thieves" guarding a secret spark, fugitives who find freedom in each other while the rest of the world sleeps.
Beneath the playful swagger lies genuine vulnerability. Paulo confesses he is "just another coward" who has finally gathered the courage to speak. He promises a safe space, honest words, and a night they have both dreamed about. The song celebrates daring romance: breaking free from unloving relationships, trusting chemistry, and sharing a first sin that feels less like exile and more like destiny.
Por Eso Vine feels like an upbeat pep-talk set to a reggaetón groove. Paulo Londra, a charismatic rapper from Córdoba, Argentina, spots a friend whose sparkle has faded after a hurtful relationship. Her laugh, dance moves, and even the way she speaks have gone dull. Refusing to let her stay in that gray mood, he shows up as a playful hero – “director de cine,” “soldado,” “Superman” – ready to rip up the old script of sadness and write a happier scene. Ice cream, chocolate, and a heartfelt chat are his simple but sincere rescue tools, symbolizing kindness over grand gestures.
The song’s message is clear: real friends do not stand by while someone they love is treated badly. With catchy rhymes and Latin-urban beats, Paulo urges her to ditch the “patán” who dimmed her light and reclaim the confidence that once made her radiant. It is a feel-good anthem about stepping in, cheering up those we care about, and reminding them of their worth until they can dance, laugh, and shine again.
Luces lights up a classic party-night story: Paulo Londra spots the girl he has secretly liked since they were kids, and this time he refuses to stay silent. The club is buzzing, the drinks flow and—most importantly—the DJ can kill the lights so everyone else fades into the background. Paulo owns his newfound confidence, asking the "bobo" (the clueless new boyfriend) to step aside while he turns a once-missed chance into a bold move. What began as years of shyness transforms into a charged face-off on the dance floor, fueled by adrenaline and a little alcohol.
Beneath the swagger, the song is about redemption and second chances. Paulo admits he once disappointed her, sank into gloom, then found hope the moment he saw her dancing again. Now he is determined to rewrite their story: if the DJ cooperates, if the rival backs off, they can vanish together “para donde sea” and start fresh. With its catchy beat, playful Argentine slang and confident lyrics, "Luces" captures that electrifying moment when courage finally outshines regret.
🎶 What is the song about?
Noche De Novela paints the scene of a long-awaited night out, where worries are left at the door and every moment feels ripped from a romance novel. Paulo Londra—fresh out of lockdown and fueled by his dad’s advice to keep moving forward—finds freedom in city streets, cold beers, and a buzzing party. There, a magnetic woman drifts in "como se iba con el viento," and suddenly the mundane flips into a storybook adventure packed with dancing, laughter, and the promise of something unforgettable.
Ed Sheeran’s bilingual verses add a new lens, mixing English confessions with Latin Urbano swagger: he’s all in, ready to drown old memories, let chemistry spark, and turn the entire night into music. Together, the artists celebrate spontaneity, courage, and the magic that sparks when two strangers lock eyes under neon lights. By the end, you are reminded that the best chapters often start when you step outside, shut out bad vibes, and let the rhythm write the rest.
Tal Vez (Maybe) finds Argentinian star Paulo Londra caught between a casual fling and real feelings. Over Ovy On The Drums’ laid-back beat, he admits that what smells irresistible can still taste bitter: the girl who lit up his weekend has now left him shivering outside, checking his phone, and losing sleep. He thought it was all “just for fun,” yet his heart did not get the memo, so each lonely Sunday reminds him how badly he misread the vibe.
The lyrics paint her as an untouchable super-woman—stylish like a mannequin, brainy like Einstein, a born scene-stealer who could “rob the show” or even “steal your heart.” While Paulo’s admiration borders on comic exaggeration, the song’s core emotion is very real: the frustration of falling harder than the other person, and the struggle to forget someone who never quite lets you in. Tal Vez is equal parts party anthem and late-night confession, capturing the bittersweet moment when a weekend romance ends and Monday hits with a cold dose of reality.
Nublado means "Cloudy," and Argentine hit-maker Paulo Londra uses that gray sky as the perfect backdrop for a breakup story that starts in the middle of a party. The drinks are flowing, the music is loud, and suddenly the person he cares about slips away without a word. Confused and still tipsy, he looks around at the "nublao'" atmosphere and realizes everything feels blurry both outside and inside his head. That cloudiness becomes a metaphor for the doubts, questions, and late-night overthinking that follow when someone leaves you hanging.
Instead of drowning in sadness, Paulo decides to flip the script. He trades endless what-ifs for new routines, loyal friends, and spontaneous nights out. Little by little, the clouds lift: he quits negative thoughts, plans trips, jokes about always being welcomed back with a glass of Fernet, and even dreams of leaving the city that reminds him of the past. The song’s message is refreshingly upbeat – it tells learners that heartbreak can feel foggy at first, but with courage, good company, and a dose of adventure, that gloomy sky really “no se ve tan mal.”
“A Veces” throws us right into the emotional roller-coaster of a situationship that cannot decide if it is love, friendship, or late-night mischief. Paulo Londra and Feid trade verses about a partner who sometimes begs them to stay until sunrise, and other times vanishes without a trace. The guys replay voice notes, scroll through old photos, and even crave a shared fernet (a classic Argentine drink) while wondering why the vibe keeps flipping. Their mix of frustration and nostalgia paints a vivid picture of modern romance: plenty of sparks, zero consistency.
Behind the catchy beat lies a relatable tug-of-war between longing and letting go. Both singers remember carefree nights filled with laughter, smoke, and spontaneous road trips, yet now they find themselves waiting by the phone, stuck in the same park where everything began. “A Veces” captures that bittersweet feeling of holding on to memories of something that felt real, even when the present says otherwise—a dance between hope and heartbreak that is as addictive as the chorus itself.
Princesa is a lively cuarteto confession where Paulo Londra, joined by Luck Ra and Valentino Merlo, turns a sleepless night into a flirty adventure. Over the fast-moving rhythm typical of Córdoba’s favorite party genre, the singers admit they can’t resist a girl who hates being alone at dawn. They tease her playful “mañas,” picture stolen kisses, and plan a secret escape while the dance floor spins. Every verse is soaked in late-night urgency: "Por las noches sueño que me besas"—they literally dream of her, and now she’s stuck in their heads.
Beneath the party vibe lies a simple, irresistible storyline: the trio want to turn fantasy into reality. They invite their “princesa” to loosen the crown, share one drink too many, and discover how sparks fly when they’re finally alone. It’s a song about bold flirtation, the thrill of possibility, and the hope that tonight the dream won’t end when the music stops.
“No Puedo” is Paulo Londra’s late-night heart-to-heart with himself. Over a mellow urban beat, the Argentine rapper admits that his mind is stuck on rewind: How do I store away the moments we shared? How do I pretend I do not miss your face? He pleads for patience, calls himself shy, and repeats the hook “no puedo sacarte de mi mente” – I cannot get you out of my head. The song feels like scrolling through memories you promised to delete, only to realize every swipe hurts a little more.
Yet the track digs deeper than romantic loss. Paulo confesses that critics circle him, fake helping hands turn into knives, and the one hand he counted on is nowhere to be found. Torn between vulnerability and cynicism, he wonders how to trust again while the world keeps racing forward. That tension makes “No Puedo” more than a breakup anthem; it is a diary entry about battling self-doubt, loneliness, and the echo of a love that refuses to fade.
Recién Soltera paints the picture of a woman who has just broken free from a relationship and is ready to reclaim the night. With her hair down, a short dress, and a fearless attitude, she steps onto the dance floor determined to leave heartbreak behind. The lyrics celebrate her confidence: she is no longer weighed down by an ex’s reproaches, and every move she makes turns the club into something mágico.
The narrator watches in awe, mixing admiration with playful flirtation. He toasts to her new-found freedom, invites her to dance, and even daydreams about stealing a kiss—or the whole dress—while the beat pulses beneath them. Ultimately, the song is an energetic tribute to liberation, self-confidence, and the irresistible spark that comes when someone chooses joy over sorrow.
“Nena Maldición” is a flirtatious confession from Paulo Londra and Lenny Tavárez, two guys who have just spotted the ultimate crush: a girl with hypnotic blue eyes. From the very first lines they admit they are “dying” for even a moment of her attention, and that rush of infatuation makes them feel both powerless and thrilled. Calling her “nena maldición” (something like “damn girl”), they highlight the sweet “curse” of being hopelessly drawn to someone they barely know yet already can’t stop thinking about.
Behind the playful swagger lies a mix of vulnerability and bold promises. They dream of buying her whatever she wants, sneaking kisses like kids at school, and living out a storybook romance (“Quiero ser Messi y tú mi Antonela”). At the same time, they recognize that everyone shares the same fears and mistakes, so they encourage her to ignore gossip and just enjoy the ride. The result is an energetic track that celebrates the dizzy excitement of first attraction, blending Argentine flow with Caribbean smoothness while reminding us how love can feel like both a blessing and a delicious little curse.
Ready for a wild night out? In Paracaídas, Argentine rapper Paulo Londra invites a girl to forget her worries, text him, and dive into an adrenaline-filled adventure through the city streets. He paints himself as her personal parachute – the one who catches her when life feels like a free-fall. From dancing against the wall and sipping Fernet to leaving her current guy behind, the song pulses with the promise of carefree fun and instant chemistry.
At its heart, the track is a playful mix of confidence and concern. Paulo knows she turns daring and bold in his company, so he reassures her: “Just call, and I’ll land like a mothership.” With infectious reggaeton beats and cheeky Argentine slang, Paracaídas captures that magnetic moment when someone offers to lift your mood, spark your rebellious side, and keep you safe all at once.
Paulo Londra turns his notebook of confessions into a rhythmic story about secret chemistry and the blurry line between “friends” and something more. In “Posdata:” the Argentine rapper sings from the perspective of a guy who keeps jotting down every stolen moment with someone who technically belongs to someone else. Their connection is fiery and magnetic, yet it lives underground: they meet, they “devour” each other, but they never dare to label what is happening. Out of fear—or convenience—they lock their feelings away, convincing themselves the heart is “blindado” (armored) while they keep playing with fire.
At its core, the song captures the tug-of-war between passion and restraint. Paulo admits he is obsessed, trapped in a triangle where she always seems to win, juggling two relationships while calling it “solo friends.” The result is a bittersweet anthem for anyone who has ever tried to keep things casual even when emotions start scribbling their own story. Expect catchy beats, clever wordplay, and a candid peek into the messy notes we hide when love refuses to fit neatly on the page.
Paulo Londra’s “Ella” is a glowing tribute to that one magnetic person who can light up an entire night just by stepping onto the dance floor. The singer watches her glide beneath the moonlight, so smooth it feels like the rest of the world slips into slow-motion while his heartbeat races. He knows nothing about her past or her destination, yet her confidence, star-bright eyes, and effortless flow make him wonder if the very moon belongs to her.
At its core, the song captures the rush of fascination and curiosity that strikes when you meet someone impossibly captivating. Londra mixes admiration with playful bewilderment: he needs another beer to steady himself, hopes she’ll teach him her moves, and can’t decide whether her magic comes from the night or if the night borrows its magic from her. “Ella” invites listeners to surrender to rhythm, mystery, and the thrill of chasing a spark that turns an ordinary evening into something unforgettable.
PVSL plunges us into an imaginary rap battle where Paulo Londra faces off against his own critics. The first voice accuses him of selling out, abandoning the freestyle plazas of Córdoba for flashy brands and quick cash. We hear jabs about trendy haircuts, name-dropping, and the age-old clash between doing it for the culture versus doing it for the money. This section mirrors the street-corner cipher that shaped Paulo’s early career, painting him as a “Mayweather” who forgot the Ali in him.
Then the beat flips and Paulo answers back, firing lines that celebrate his rise without denying the struggle behind it. He claims his success keeps loved ones fed, juggles the roles of artist, father, and entrepreneur, and reminds listeners that only God can judge him. By playing both sides of the duel, Paulo turns PVSL into an inner dialogue about authenticity, ambition, and staying true to one’s roots while leveling up. The result is a dynamic track that feels like a live freestyle showdown, packed with Argentine bravado, quick-witted metaphors, and a message: critics can talk, but resilience and self-belief always get the last verse.
Plan A plunges us into that awkward limbo where friendship and romance blur. Paulo Londra, the charismatic rapper-singer from Córdoba, Argentina, confesses his confusion as the girl he likes turns suddenly distant: her kisses feel colder, the late-night calls stop, and her plans never seem to include him. All he wants is a clear answer—Am I your first pick or just one more friend?—yet every hint points to the painful reality that he might be her backup choice.
Across the verses he paces through smoky, drink-filled nights, replaying mixed signals and begging for even the smallest sign so he can decide whether to stick around or walk away. The catchy beat masks raw vulnerability, capturing the universal fear of being someone’s Plan C when you dreamed of being their Plan A. It is a relatable anthem for anyone who has waited on read receipts, clung to hope, and finally asked, “What am I to you?”
Can’t sleep? Neither can Paulo Londra. “GLAMPING” drops us into his late-night scroll where he secretly checks a girl’s Instagram, sends her a teasing selfie, then watches her flex for her friends. He refuses to say I like you, choosing suspense over confession, while her circle tells him she is actually lonely. The song paints a vivid picture of modern flirting fueled by DMs, Stories, and just a touch of ego.
When the beat shifts, the Argentine rapper turns the online game into a real-world invitation: shopping, camping… better yet, glamping. Londra dreams of a glamorous escape filled with slow-motion chemistry and the possibility of something serious, even though he admits every beginning might have an end. The result is a playful anthem about digital intrigue, desire, and the hope that a flashy getaway might turn late-night fantasies into reality.
Ever dreamed of slipping out into the night with someone who makes your heart race, leaving all the drama behind? In Dímelo, Argentine rapper Paulo Londra plays the daring accomplice. Through catchy hooks and street-wise slang, he urges a girl to admit that her loudmouthed boyfriend is "no vale la pena" - not worth it - and promises to erase him from the picture. The pair move like modern vampires, hiding under hoodies, plotting secret getaways, and laughing at the jealous ex who prowls the streets like a horror-movie villain.
Beneath the playful bravado lies a message of self-worth and fearless love. Paulo invites the girl to choose excitement over routine, honesty over pretense, and freedom over gossip. With its laid-back beat and mischievous lyrics, the song turns a nocturnal escapade into an anthem for anyone ready to ditch a dead-end relationship and chase something real.
“Me Tiene Mal” is Paulo Londra’s playful confession that he’s head-over-heels for a girl who has completely hijacked his thoughts. From the very first “Hey, nena te necesito,” the Argentine rapper paints himself as a lovesick hero stumbling through real-life magic: he blushes “a lo tomate,” memorizes her favorite books, and would even surrender a whole liter of Fernet just to win her over. Every verse circles back to the same obsession: he can’t study, can’t relax, and definitely can’t stop replaying the way she walks.
Under the upbeat reggaetón groove, the lyrics capture that universal feeling of craving someone so intensely that the rest of the world fades out. Paulo mixes humor with sincerity—calling her a laser-eyed enchantress, half heroine and half heart-thief—while admitting he’s stuck in the friend zone and desperate to break free. In short, the song is an energetic ode to crushing hard, where love feels both exhilarating and a little torturous, leaving the singer joyfully dazed and deliciously “mal.”
Solo Pienso En Ti is a late-night confession wrapped in a catchy reggaetón beat. Paulo Londra opens the track looking back at a relationship that fell apart because of arguments and distance. Now he is sleepless, replaying memories, and kicking himself for being a “tarado” (a fool). His promise is simple but powerful: whatever you want, I will give you, because life feels empty if you are not by my side.
When Justin Quiles and De La Ghetto jump in, the story turns even more vivid. They paint summer scenes, flirty photos, coconut-oil beach vibes, and the irresistible pull of physical chemistry. Yet beneath the playful imagery sits the same plea: let’s forget the past, get back together, and be happy like before. Together the three voices capture that universal feeling of regret and obsession after love slips away. The song is a mix of vulnerability, desire, and hope that a second chance might still be possible—making it a perfect soundtrack for anyone who has ever stayed up all night thinking about “the one that got away.”
Paulo Londra’s “Relax” feels like stepping onto a sun-drenched balcony after a long storm. Over punchy beats, the Argentine rapper celebrates the moment when hard work, faith, and loyal friends finally replace doubt with pure ease. He looks up to thank life, God, and his tight circle for filling the “gran vacío” that once haunted him, while tossing aside old critics who said he’d never make it.
The track is equal parts gratitude list and victory lap. Paulo flaunts unstoppable confidence, promises to keep doing things his way, and invites listeners to ride the wave forward with him. “Relax” reminds us that when you find your purpose, back it up with perseverance, and stay surrounded by real ones, nothing can kick you out of the game.
Y Yo No Sé drops you right into that blurry moment after a wild night out, when you wake up wondering What on earth just happened? With his signature laid-back flow, Argentine rapper Paulo Londra tells the story of a mysterious woman who seems to have slipped something into his drink, erased his memories and ignored every “no” along the way. The chorus’s mantra-like “y yo no sé” (“and I don’t know”) captures his confusion while the pounding beat keeps the party vibe alive.
Beneath the playful reggaeton rhythm lies a cautionary tale about consent and personal boundaries. Paulo calls his temptress a “bruja” (witch) who “abusa de su magia,” warning listeners that charm and good looks never justify crossing the line. He even admits his own carelessness—he might have “un flow tan cabrón,” but that’s no excuse for letting his guard down. In short, Y Yo No Sé is both a catchy party track and a reminder to stay alert, respect limits and never let anyone steal your memories—or your agency—no matter how enchanting the night feels.