Learn Spanish With Enrique Iglesias with these 23 Song Recommendations (Full Translations Included!)

Spanish pop star Enrique Iglesias teams up with Descemer Bueno and Gente De Zona for a track all about overwhelming physical attraction on the dance floor. The narrator spots someone across the room and completely loses his cool: "Yo te miro y se me corta la respiración" ("I look at you and my breath catches"). The song builds on this rush of excitement, describing how physical attraction feels like a scientific cocktail mixed with party drinks: "Con tu física y tu química, también tu anatomía / La cerveza y el tequila y tu boca con la mía" ("With your physics and your chemistry, also your anatomy / The beer and the tequila and your mouth with mine"). It is blunt, direct, and completely hooked on the moment.

Everything in the track builds toward spending a wild night together. Iglesias and his collaborators sing "tener contigo una noche loca / Con tremenda nota" ("to have a crazy night with you / with a massive high"). In Cuban and Caribbean slang, "tremenda nota" means catching a huge buzz or being completely swept away by party energy. Through the rhythm and heat, the narrator feels practically overwhelmed ("Ya no puedo más" / "I can't take it anymore"), begging for the night never to end so the dancing can continue.

Spanish pop star Enrique Iglesias goes completely over the top in "Héroe", and that dramatic intensity is why it works so well. He is not offering casual affection here; he wants to be everything. In the chorus, he sings, "Si pudiera ser tu héroe / Si pudiera ser tu Dios" ("If I could be your hero / If I could be your God"), linking her rescue directly to his own peace of mind: "salvarte a ti mil veces / Puede ser mi salvación" ("saving you a thousand times / Can be my salvation"). The physical imagery is dialed up to eleven right from the start, dreaming of giving her chills ("erizar de frío tu piel" [make your skin bristle with cold]) and kissing her so intensely that he could die right on the spot ("Y morirme allí después" [And die there afterward]).

Beyond the grand promises, the lyrics give us great everyday Spanish expressions. When he sings "A quemar, que sé yo, tu boca" ("To burn, I don't know, your mouth"), the phrase "que sé yo" works exactly like "or whatever" or "I don't know" in conversational English, tossing an offhand shrug into an otherwise heavy line. He also shrugs off his internal pain by saying "Y qué más da" ("And what does it matter?"), deciding that "Lo que importa es que te quiero" ("What matters is that I love you"). It is a song full of total, reckless devotion where saving someone else is the only thing that saves him.

Spanish pop star Enrique Iglesias is laying all his cards on the table in "Escapar." Right from the start, he admits the relationship is a chaotic rollercoaster—"Sube y baja pero un día al fin / Sin querer nos va bien" ("It goes up and down, but in the end, one day / Without meaning to, we do well"). Even when somebody calls it quits with "se acabó" ("it's over"), another voice steps in, refuses to budge, and stays put.

Then comes the ultimatum, delivered with pure confidence. Enrique flat-out refuses to beg if you walk away ("No te voy a suplicar" / "I am not going to beg you"). Instead, he drops a blunt Spanish idiom: "Allá tú", which roughly translates to "that's on you" or "suit yourself." He warns that trying to move on will not work anyway: "Aunque corras, te escondas, no puedes escapar" ("Even if you run, if you hide, you cannot escape"). In his eyes, what they have tastes sweet and bitter all at once, but it is too real to leave behind.

Spanish pop star Enrique Iglesias brings all the drama of unfinished romance in "Ayer". Right from the start, he spots an ex trying to slip away and calls out: "Hey, dime a dónde vas y si sabes tu destino" (Hey, tell me where you're going and if you know your destination). He isn't ready to let things go, reminding them that even after they split, "mi puerta siempre estuvo abierta" (my door was always open). It is direct, a little stubborn, and pure Enrique pleading for a second chance.

The emotional core hits in the chorus with the line "Ayer cabías en mi corazón y te escondiste en un rincón del otro lado" (Yesterday you fit in my heart and you hid in a corner on the other side). Notice the phrasing here: "cabías" comes from the verb caber (to fit inside), which sets up a great contrast with his lover shrinking away into a distant corner. He insists that their love isn't finished ("nuestro amor no está acabado") and claims he can see regret in their eyes. Whether that regret is real or, as he admits, "sólo idea mía" (just my own imagination), he refuses to give up the ghost.

Spanish pop star Enrique Iglesias teams up with Descemer Bueno and urban duo Zion & Lennox for a track that pairs heavy heartbreak with an unstoppable urge to party. Instead of sitting quietly with his grief, the singer demands a loud distraction: "Súbeme la radio que esta es mi canción" ("Turn up the radio for me, this is my song") and calls for drinks to numb the sting ("Tráeme el alcohol que quita el dolor" / "Bring me the alcohol that takes away the pain"). The goal is to keep going until dawn so that they can "juntar la luna y el sol" ("bring the moon and the sun together").

Underneath the driving beat, the story is pure desperation. He admits he has lost everything and waits outside her door all night without an answer, singing under the full moon ("pasando las noches en vela" / "spending sleepless nights"). The Spanish idiom pasar la noche en vela literally means to stay awake watching, a vivid picture of someone who cannot sleep because his mind will not let go of the past. It is dramatic, completely over the top, and honest about trying to drown out heartache with roaring bass and volume.

Spanish pop star Enrique Iglesias teams up with Juan Luis Guerra to talk about the sudden rush of falling in love. The lyrics kick off with huge, dramatic promises, like reaching into space to grab a star: "Si pudiera bajarte una estrella del cielo, lo haría sin pensarlo dos veces" ("If I could bring down a star from the sky for you, I would do it without thinking twice"). But right alongside that grand romantic talk, the song gets honest about the dizzying confusion that comes with it. The singer admits, "a veces me pierdo" ("sometimes I get lost") and confesses that love sneaks up without warning: "Cuando menos me lo espero me enamoro" ("When I least expect it, I fall in love").

What makes this track fun is the contrast between feeling completely helpless ("A veces desespero" ["Sometimes I despair"]) and feeling totally revived. The lyrics use the Spanish idiom "me viene el alma al cuerpo" ("my soul returns to my body"), which means to feel a massive wave of relief or to come back to life after being startled. Time stops, the worries fade, and the singer simply smiles ("Sonrío"). It balances intense promises about conquering the moon with the pure, simple relief of finally being with someone.

Prepare-se para uma música que é pura energia e paixão! "Bailando" descreve aquele momento eletrizante em que você vê alguém do outro lado da sala e tudo para. Enrique Iglesias canta sobre como a simples troca de olhares o deixa sem fôlego: "Yo te miro y se me corta la respiración / Cuando tú me miras se me sube el corazón" (Eu olho para você e perco o fôlego / Quando você me olha, meu coração dispara). A canção é sobre o desejo intenso de se conectar com essa pessoa na pista de dança, querendo que a noite nunca acabe.

A letra é bem direta sobre a atração física e a química entre duas pessoas. A dança é o foco central, com os corpos "llenando el vacío / Subiendo y bajando" (preenchendo o vazio / Subindo e descendo). A atmosfera é de festa e sedução, misturando "la cerveza y el tequila y tu boca con la mía" (a cerveja e a tequila e a sua boca com a minha). No final, o desejo é simples e claro: ele quer passar "una noche loca" (uma noite louca) com essa pessoa, dançando e se beijando.

Spanish pop star Enrique Iglesias teams up with reggaeton heavy-hitter Wisin to make one very confident sales pitch: leave the boring guy who makes you cry and come dance instead. The whole track revolves around a brilliantly simple contrast in the chorus: "Con él te duele el corazón / Y conmigo te duelen los pies" ("With him your heart hurts / And with me your feet hurt"). Enrique knows the woman he wants is living with someone else, but he is convinced her partner only brings tears ("Con él lloras casi un río" [With him you cry almost a river]), even if he has wealth and status ("Tal vez te da dinero y tiene poderío" [Maybe he gives you money and has power]).

Instead of wallowing in the drama, the song treats escapism on the dance floor as the ultimate cure. Enrique demands a straight answer ("Mujer qué vas a hacer, decídete pa' ver" [Woman what are you going to do, make up your mind so we can see]), while Wisin jumps in with pure energy to tell her to ditch whatever brings her down: "si en tu vida hay algo que no sirve / Sácalo pa' fuera" ("if there is something useless in your life / Throw it out"). It is a bold, upbeat ultimatum built on dancing until 10:00 AM ("Bailamos hasta las diez") and trading heartbreak for sore feet.

Знаменитый испанец Энрике Иглесиас снова поет о том, что умеет лучше всего — о возвращении к прошлым чувствам. В треке «Ayer» («Вчера») герой видит свою бывшую любовь и сразу начинает задавать прямые вопросы: «Hey, dime a dónde vas y si sabes tu destino» («Эй, скажи мне, куда ты идешь и знаешь ли свою цель»). Он уверен, что расставание было ошибкой. Вместо драмы парень заявляет прямо: «Mi puerta siempre estuvo abierta» («Моя дверь всегда была открыта»). Он ловит ее растерянный взгляд и спрашивает: «Tu mirada dice estar arrepentida / Babe, dime si es verdad» («Твой взгляд говорит о раскаянии / Малышка, скажи мне, правда ли это»).

Главная мысль крутится вокруг строчки «Ayer cabías en mi corazón y te escondiste en un rincón del otro lado» («Вчера ты помещалась в моем сердце и спряталась в дальнем углу на другой стороне»). Глагол caber («помещаться, влезать») здесь звучит очень тепло: когда-то человек занимал абсолютно все сердце целиком, а теперь забился в угол. Но герой убежден: «Nuestro amor no está acabado» («Наша любовь не закончена»). Никакого безумия или пустых капризов — он просто просит признать старые чувства и вернуться туда, где все еще любят «como antes» («как прежде»).

Spanish pop star Enrique Iglesias teams up with bachata legend Romeo Santos in "Loco", and both of them are completely falling apart. From the very first line, the singer is begging on his knees—"Te pido de rodillas" [I ask you on my knees]—and pleading with the moon itself not to leave ("Luna no te vayas" [Moon, don't leave]). He wants the moonlight to guide a heart that feels crushed and mistreated ("Desilusionado, a veces maltratado" [Disillusioned, sometimes mistreated]). It is dramatic, desperate, and totally obsessed. He even compares his shattered feelings to a broken instrument: "De una luna rota / Como una guitarra" [Of a broken moon / Like a guitar], wrecked by promises that fly away into thin air.

The real heart of the track is the chaotic craving for one more kiss. He admits he is going out of his mind to kiss her lips ("Loco por besar tus labios" [Crazy to kiss your lips]) so intensely that nothing stays hidden inside ("Sin que quede nada por dentro de mí / Diciéndotelo todo" [With nothing left inside of me / Telling you everything]). But watch how his begging flips into a warning: he repeats "No te perdonaré / Si me dejas solo" [I won't forgive you / If you leave me alone] and "No te perdonaré / Si me vuelves loco" [I won't forgive you / If you drive me crazy]. In Spanish, saying someone "te vuelve loco" can mean they drive you mad with love, or they literally push your mind over the edge. Here, it is both.

Hispaania laulja Enrique Iglesias ja Juan Luis Guerra toovad loos "Cuando Me Enamoro" kuulajani armumise pöörase ja ootamatu jõu. Lugu räägib sellest, kuidas tõeline tunne tabab sind täiesti ette hoiatamata: "Cuando menos me lo espero me enamoro" ("Kui ma seda kõige vähem ootan, armun ära"). Sõnades minnakse suurte romantiliste žestideni välja, lubades taevast tähti alla tuua ("Si pudiera bajarte una estrella del cielo... lo haría sin pensarlo dos veces" – "Kui saaksin sulle taevast tähe alla tuua... teeksin seda kaks korda mõtlemata"). Samal ajal tunnistab laulja, et see tunne teeb ka abituks ja ajab vahel meeleheitele, sest peas valitseb kaos: "Entiende que no puedo y a veces me pierdo" ("Mõista, et ma ei suuda ja vahel eksin ära").

Hispaaniakeelses tekstis on suurepärane väljend "me viene el alma al cuerpo" (otsetõlkes "hing tuleb mulle kehasse tagasi"), mida kasutatakse kergendustunde või uue eluvaimu sisse tulemise kirjeldamiseks. Selles laulus tähendab armumine just seda hetke, kus aeg peatub ("se detiene el tiempo") ja toob naeratuse näole, isegi kui samal ajal käib peas hirm ja meeleheide. Kui keegi unes tema kaeblikku nuttu kuuleb, palub ta üles ärgata, sest tema tunded pole lihtsalt uni, vaid reaalne valu ja soov teisele kuuluda.

In this pop track, Spanish artist Enrique Iglesias opens up a tough conversation with his father after years of silence. Right away, he greets him with "Hola viejo dime como estás" ("Hello, old man, tell me how you are"). In Spanish, calling a parent "viejo" is an affectionate, informal way to say "dad" rather than an insult. Enrique admits that while he works nonstop and cannot complain about life, he is secretly dealing with a lot of loneliness ("Hay mucha soledad" / "There is a lot of loneliness"). He puts his pride aside because tomorrow is never guaranteed, telling his father he is completely done fighting over who was right or wrong in the past ("Y la razón siempre querías llevar / Pero estoy cansado, no quiero discutir" / "And you always wanted to be right / But I am tired, I don't want to argue").

The chorus hits the heart of the divide by contrasting two opposite worlds: "Quizás tú buscas un desierto y yo busco un mar" ("Maybe you look for a desert and I look for a sea"). They might want completely different things in life, but Enrique realizes that beneath all the distance, they are almost the exact same person ("En el fondo tú y yo somos casi igual" / "Deep down, you and I are almost the same"). It is an honest reach for peace before time pulls them even further apart.

Spanish pop star Enrique Iglesias leans straight into big, dramatic panic with this track. The whole track revolves around one giant fear: what happens if his partner walks away? He isn't dealing with an actual breakup yet; instead, he is stuck in his head catastrophizing. He admits that he is already picturing the worst, singing, "Y es que estoy / Imaginándome el final / Y me da miedo pensar" [And the thing is, I am / Imagining the end / And it scares me to think]. The lyrics do not hold back on hyperbole, either. He warns that if she leaves, "El dolor me comerá" [The pain will eat me up] and "Se me irá todo el valor" [All my courage will leave me]. In everyday Spanish, losing your valor means losing your nerve or guts entirely, and that is exactly how helpless he feels.

Then comes the most over-the-top, unforgettable image in the chorus: "Mis lágrimas hacen un mar / Nadaré sin descansar / Esperando tu llegar" [My tears make a sea / I will swim without resting / Waiting for your arrival]. Yes, he claims he will cry an entire ocean and literally dog-paddle in it until she returns! It is pure melodrama, but that extreme honesty makes it catchy and easy to sing along to. He sums up his total confusion without her in the simplest way possible: "Y yo sin ti / Ya no sé por dónde ir" [And me without you / I no longer know which way to go]. If you have ever spun out worrying about losing someone you love, this track knows your exact mood.

This song is one of the most dramatic breakup pleas you'll ever hear! Enrique Iglesias starts by noticing something is off with his partner. He feels it in her kiss, which wasn't "natural" (Fue natural), and sees something different in her eyes. He suspects he knows exactly what she's thinking: she doesn't love him anymore.

But instead of facing the truth, he makes a wild request. He begs her, "Miente" (Lie). He doesn't want honesty; he wants her to pretend. He asks her to "Dime que me amas" (Tell me you love me) and swear she'll never leave. He's so desperate that he'd rather be lied to than be alone, telling her that if she leaves, "No podré vivir sin ti" (I won't be able to live without you). It's a powerful song about choosing a comforting lie over a painful reality.

«Bailando» — это гимн летней вечеринки, который переносит тебя прямо на танцпол. Энрике Иглесиас поёт о том всепоглощающем чувстве, когда ты видишь кого-то и мир вокруг перестаёт существовать. Всё начинается со взгляда: «Yo te miro y se me corta la respiración» (Я смотрю на тебя, и у меня перехватывает дыхание). Певец настолько увлечён, что его сердце буквально выпрыгивает из груди, когда их взгляды встречаются.

Песня описывает нарастающее желание. Сначала это просто танец, где «Tu cuerpo y el mío llenando el vacío» (Твоё тело и моё заполняют пустоту), но очень скоро этого становится мало. Он перечисляет всё, что сводит его с ума: «Con tu física y tu química, también tu anatomía» (Твоя физика, твоя химия, а также твоя анатомия). В конце концов, он просто хочет провести «una noche loca» (сумасшедшую ночь) с этим человеком. Это простая, но очень понятная история о страсти, которая вспыхивает под зажигательную музыку.

Spanish pop star Enrique Iglesias goes all in on loyalty with "Si Juras Regresar" (If You Swear to Return). The entire track is built around a single, massive condition: as long as his partner promises to come back, he will wait forever. He claims he will trust her instantly: "Con los ojos cerrados te creeré" (With closed eyes, I will believe you). In Spanish, doing something "con los ojos cerrados" is an idiom meaning you do it completely blindly, without hesitation or doubt. He even promises to protect the relationship "como fuego sagrado" (like a sacred fire), which is dramatic, but it fits the mood.

Even with physical distance pulling them apart ("Aunque tú te tengas que marchar" / Even if you have to leave), he keeps his cool by holding onto specific thoughts, telling her "Sabré que bailas para mí" (I will know that you dance for me). He repeats "Pase lo que pase, aquí estaré" (Whatever happens, I will be here) and "No importa lo que tardes" (No matter how long you take). It is an absolute, stubborn kind of devotion, built on trusting a promise until time itself stops mattering.

„Bailando“ ist eine riesige Partyhymne des spanischen Superstars Enrique Iglesias, und es geht um eine Anziehungskraft, die so stark ist, dass sie fast wehtut! Der Sänger sieht jemanden auf der Tanzfläche und ist sofort hin und weg. Er beschreibt dieses Gefühl mit Zeilen wie „Yo te miro y se me corta la respiración“ (Ich sehe dich an und mir stockt der Atem) und „Cuando tú me miras se me sube el corazón“ (Wenn du mich ansiehst, rast mein Herz). Es geht um diesen einen Moment, in dem Blicke alles sagen und man sich wünscht, die Nacht würde nie enden.

Der Refrain ist super einfach und eingängig: Es geht ums Tanzen und darum, wie ihre Körper zusammen den „leeren Raum füllen“ – „Tu cuerpo y el mío llenando el vacío“. Aber der Song beschreibt auch eine fast verzweifelte Sehnsucht. Er singt: „Yo quiero estar contigo, vivir contigo / Bailar contigo tener contigo una noche loca“ (Ich will bei dir sein, mit dir leben / mit dir tanzen, eine verrückte Nacht mit dir haben). Es ist eine Mischung aus der Hitze des Augenblicks, dem Wunsch nach körperlicher Nähe und dem Gefühl, von jemandem völlig den Verstand geraubt zu bekommen.

Sabe aquela sensação de ser pego totalmente de surpresa pelo amor? É exatamente sobre isso que o espanhol Enrique Iglesias canta nesta parceria com Juan Luis Guerra. A letra começa cheia de promessas exageradas, como "Si pudiera bajarte una estrella del cielo, lo haría sin pensarlo dos veces" (Se eu pudesse descer uma estrela do céu para você, faria sem pensar duas vezes). O eu lírico admite que perde o controle e fica desorientado: "entiende que no puedo y a veces me pierdo" (entenda que não posso e às vezes me perco).

O refrão resume esse caos bom que acontece quando o sentimento bate sem avisar: "Cuando menos me lo espero me enamoro" (Quando menos espero, me apaixono). Aliás, preste atenção na expressão "me viene el alma al cuerpo" (minha alma volta ao corpo): em espanhol, ela significa sentir um alívio enorme ou recuperar a vida de repente. Mesmo que a paixão traga um pouco de agonia ("a veces desespero" [às vezes me desespero]), o resultado final é simplesmente sorrir enquanto o tempo para ao redor.

Tu as déjà eu cette impression bizarre qu'une rupture n'est pas tout à fait terminée ? C'est exactement ce que raconte le chanteur espagnol Enrique Iglesias dans ce morceau pop. Il interpelle son ex qui s'éloigne avec un direct : « Hey, dime a dónde vas y si sabes tu destino » (« Hé, dis-moi où tu vas et si tu connais ton destin »). Malgré un au revoir qui semblait définitif, il refuse de fermer boutique : « Mi puerta siempre estuvo abierta » (« Ma porte a toujours été ouverte »). C'est franc, sans détour, et il parie tout sur l'espoir que l'autre regrette son départ.

Le cœur du morceau repose sur ce contraste entre le passé et le présent : « Ayer cabías en mi corazón y te escondiste en un rincón del otro lado » (« Hier tu tenais dans mon cœur et tu t'es cachée dans un coin de l'autre côté »). En espagnol, le verbe caber (ici cabías) exprime l'idée de trouver sa place ou de tenir dans un espace précis; Enrique Iglesias l'utilise pour montrer à quel point cette personne remplissait toute sa vie avant de s'isoler dans un coin. Il traque le moindre remords dans ses yeux avec « tu mirada dice estar arrepentida » (« ton regard dit que tu regrettes ») et veut croire que ce lien n'est ni de la folie ni un simple caprice (« que no es capricho »), mais une histoire qui refuse de mourir.

In deze dramatische popballad windt Enrique Iglesias er geen doekjes om: hij wil alles voor je zijn. De Spaanse zanger zingt letterlijk: "Si pudiera ser tu héroe / Si pudiera ser tu Dios" (Als ik jouw held kon zijn / Als ik jouw God kon zijn). Het is een tikje theatraal, maar het idee is helder. Hij wil degene zijn die jou beschermt, want jou duizend keer redden is voor hem de ultieme verlossing ("salvarte a ti mil veces / Puede ser mi salvación").

De tekst zit vol intense, bijna wanhopige beelden over fysiek contact en overgave. Hij droomt ervan om je lippen te kussen en daarna ter plekke te sterven ("A quemar, que sé yo, tu boca / Y morirme allí después"). Ook zingt hij over een gekte vanbinnen die hem kapotmaakt ("La locura que llevo / Que me hiere / Y me mata por dentro"). Maar al die pijn veegt hij meteen van tafel met een nuchtere conclusie: "Y que más da / Mira que al final / Lo que importa es que te quiero" (En wat maakt het uit / Kijk, uiteindelijk / Is het enige wat telt dat ik van je hou).

Spanish pop star Enrique Iglesias teams up with Mexican legend Marco Antonio Solís to deliver the ultimate breakup confession in "El Perdedor" (The Loser). Instead of pretending things are fine, the singer calls out the relationship as a total fake, asking how much longer he can stay trapped in the same lie ("Cuánto tiempo más podré vivir en la misma mentira" [How much longer can I live in the same lie]). He describes the cold distance between them with a vivid image: looking into her eyes feels like a freeze out of season ("Que me hiela la piel como invierno fuera de estación" [That freezes my skin like an out-of-season winter]).

What makes this track hit so hard is the refusal to let an ex boast about breaking his heart. He tells her point-blank not to go around bragging that she stole his heart and left him with nothing ("No, no vayas presumiendo, no / Que me has robado el corazón" [No, don't go around bragging, no / That you have stolen my heart]). In the phrase "no vayas presumiendo", the verb presumir means to show off or brag, while ir + gerund adds the sense of going around doing something repeatedly. He would rather take the hit and wear the title of el perdedor (the loser) after giving everything than remain stuck as her emotional prisoner ("Yo prefiero dejarte partir que ser tu prisionero" [I prefer to let you leave than to be your prisoner]).

Это песня человека, который влюбляется без предупреждения и сам не понимает, что с ним происходит. Начинается всё с обещаний в духе старого романса: «Si pudiera bajarte una estrella del cielo» (Если бы я мог достать тебе звезду с неба). Звёзд ему мало, он готов ещё и на луну: «Yo juraría hacer cualquier cosa» (Я бы поклялся сделать что угодно), лишь бы стать её хозяином. Наивно и немного слишком, но Энрике и Хуан Луис Герра поют это так мягко, что веришь.

Самое интересное в припеве. «Cuando menos me lo espero me enamoro» (Когда меньше всего этого жду, я влюбляюсь): cuando menos me lo espero стоит запомнить целиком, это обычное испанское «когда меньше всего ожидаешь». А «Me viene el alma al cuerpo» (Ко мне возвращается душа в тело) звучит странно, если переводить дословно, но это живое выражение: так говорят, когда отлегло от сердца и человек снова ожил. Любовь тут одновременно сводит с ума («A veces desespero», Иногда я отчаиваюсь) и останавливает время, а в ответ на всё это он просто улыбается.

Zet het volume maar vol open! In SUBEME LA RADIO pakt de Spaanse zanger Enrique Iglesias samen met Descemer Bueno en het reggaetonduo Zion & Lennox liefdesverdriet aan op de enige manier die hij kent: feesten tot het ochtendgloren. De zanger is helemaal kapot van een verbroken relatie ("me has dejado en las sombras" / 'je hebt me in de schaduw achtergelaten'). In plaats van stil in een hoekje te zitten treuren, vraagt hij om drank en muziek om de pijn te verzachten: "Súbeme la radio que esta es mi canción, tráeme el alcohol que quita el dolor" ('Zet de radio harder want dit is mijn liedje, breng me de alcohol die de pijn wegneemt').

Tussen de dansbare beats door hoor je pure wanhoop. Hij brengt slapeloze nachten door onder de volle maan en wacht hopeloos voor haar deur als ze haar telefoon niet opneemt ("Si llega la noche y tú no contestas, te juro me quedo esperando a tu puerta"). De Spaanse uitdrukking "juntar la luna y el sol" ('de maan en de zon samenbrengen') betekent letterlijk doorgaan tot de zon weer opkomt terwijl de maan er nog staat; oftewel de hele nacht doorhalen om de stilte en herinneringen te verdrinken. Een heerlijke track om mee te zingen terwijl je wat Spaanse zinnen oppikt!