
Get ready to dive into "Ido" by Dharius, a track that's all about living life to the fullest and staying true to yourself! Dharius looks back on 40 years of life, saying he's "ya 40 años de vida, y cada uno muy bien vivido" [already 40 years of life, and each one very well lived]. He's learned a lot from his falls and feels grateful for everything, even if the world is a bit messed up.
This song is a declaration of his journey in hip-hop, starting way back in '94. Dharius makes it clear he's not going anywhere, singing "Aquí sigo firme, compa, no me fui" [Here I remain firm, buddy, I didn't leave] and "Esto no se acaba hasta que se acaba" [It's not over until it's over]. He's proud of his unique style, even if some call his lyrics "sin sentido" [meaningless]. He knows he's the real deal and loves what he does, enjoying every moment and looking forward to the future. It's a great song about resilience, self-acceptance, and celebrating your path!
Have you ever tried to forget someone, but you just can't? That's exactly what Dharius and Christian Nodal are singing about in "Ey Mezcal." Our guy has been going "de bar en bar" [from bar to bar] since he lost his love, trying to drink away the pain of his mistake. He admits, "No me alcanzan las libretas pa' escribir cuánto te amé" [Notebooks aren't enough to write how much I loved you], but the damage is done.
He keeps telling himself, "Ya tomé la decisión de olvidarte para siempre" [I've made the decision to forget you forever], but it's clearly not working! He's asking the mezcal to help him, saying, "Mezcal, arráncala de mí" [Mezcal, tear her out of me] and "Solo ocupo de ti para olvidar" [I only need you to forget]. But then he's still thinking about her, listening to the songs he wrote for her, and even wanting to cry and tell her he loves her. It's a classic struggle of wanting to move on but being stuck in the past. He's hoping the mezcal can help him "aceptar que ya no está y que no volverá" [accept that she's no longer here and won't come back]. It's a pretty relatable feeling, honestly!
Dharius kicks off "MSD" by waking up, smoking, and showering, only to find out someone's been talking trash about him in a song. He listens to it and finds it pretty funny, especially since the diss track claimed to reveal secrets, but Dharius says he's already told everyone everything. He even calls out the other artist, Renato, saying his style is weak and that he's been waiting for a chance to get back at him.
Dharius doesn't hold back, calling Renato a "niño rata" [rat kid] and making fun of him for liking horchata, but then quickly clarifies that he likes horchata too, just with "morras de mi forje" [girls from my crew], unlike Renato, who he accuses of being with underage girls. Dharius boasts about partying hard with lots of beer and chaos, while Renato is just "ladre y ladre" [barking and barking]. The song ends with Dharius feeling victorious after nine hours, ready to film a video, and mocking Renato for taking seven days to write a bad song, calling him a "millonario sin dinero" [millionaire without money] and a "marrana de mierda" [shit pig].
Dharius is not holding back in "ALV TODOS"! This track is a full-on lyrical assault, a diss track aimed squarely at his rivals. He's basically saying, "You've been talking a big game, but now it's time to show your true colors." He calls out their cowardice, saying things like "Sacarla y no jalarle solo lo hacen los cobardes" [Only cowards pull it out and don't pull the trigger].
He's got no patience for fakes, reminding someone, "Rapeo por sus canciones', dijiste en el camerino" [I rap because of your songs,' you said in the dressing room], highlighting their hypocrisy. Dharius makes it clear that he's the king of the rap battle, stating, "Porque en una tiradera, al Tirano nadie le gana" [Because in a diss track, no one beats the Tyrant]. He's confident, a little menacing, and ready to take on anyone who challenges him, warning them to "Es mejor que se callen o les puede ir muy mal" [It's better if you shut up or things could go very wrong for you].
Dharius's "VNDO" is a no-holds-barred diss track, a direct and aggressive confrontation aimed squarely at a rival rapper. Dharius doesn't hold back, calling out his opponent for being fake and a liar. He mocks the rival's claims of being tough and street-smart, saying "Tú eres el más pinche de agua, pobre mitómano idiota" [You are the most damn weak, poor idiotic liar].
Dharius asserts his own authenticity and success, claiming the respect of the people: "Yo tengo el cariño y el respeto de la raza" [I have the affection and respect of the people]. He dismisses his rival's music as trash and boasts about his own talent and longevity in the rap game. It's a classic rap battle, full of insults and boasts, where Dharius makes it clear he's the veteran and his opponent is just a "patiño" [sidekick] who can't even control his own life, let alone challenge Dharius.
Get ready to dive into the world of Dharius's "Brooklyn"! This track is all about living life on your own terms, with a strong sense of loyalty and a bit of a rebellious spirit.
Dharius talks about how he's chosen this life, saying, "Vivir así yo lo elegí, esa fue mi decisión" [I chose to live like this, that was my decision]. He's surrounded by his crew, enjoying the good times, with mentions of parties, money, and beautiful women. He's proud of how far he's come, admitting, "Mucho me ha costado llegar hasta acá" [It has cost me a lot to get here]. But even with success, he's still looking over his shoulder, knowing the government is after him: "El gobierno me sigue buscando, la huella me anda pisando" [The government keeps looking for me, they're tracking me]. It's a look into a life of ambition, loyalty, and always staying one step ahead.
Dharius takes us on a wild ride with "Si La Muerte Pregunta" [If Death Asks], a song that dives headfirst into the chaotic life of someone caught in the grip of addiction. He opens with a classic dilemma, "Fumar o no fumar, ahí el dilema" [To smoke or not to smoke, that's the dilemma], immediately setting the stage for his internal struggle. His life is "extrema" [extreme], filled with parties, but nothing truly satisfies him.
He's brutally honest about his "maldita drogodependencia" [damn drug dependence] and how he hates "el síndrome de abstinencia" [withdrawal syndrome]. His conscience is a constant voice, telling him to "No pares, no pares, deja de pensar tanto en las consecuencias" [Don't stop, don't stop, stop thinking so much about the consequences]. It's a pretty dark and intense look at how addiction can take over, making you feel trapped, like when he says, "El que entra aquí, ya no sale" [He who enters here, no longer leaves]. Dharius even jokes about his fate, saying if death comes looking for him, to say he doesn't exist, and if the devil asks, he'll be back soon with his "encargo" [order] for hell. It's a raw and unfiltered look at a life lived on the edge.
Dharius's "Me Juzgan" [They Judge Me] is a defiant anthem where he pretty much tells everyone who judges him to back off! He kicks things off by showing off his natural talent for improvisation, bragging about his unique flow and how he's been doing this for a long time: "He pisado más de mil tarimas, más de mil vaginas / Gracias a mis rimas, no te imaginas" [I've stepped on more than a thousand stages, more than a thousand vaginas / Thanks to my rhymes, you can't imagine]. He's making millions doing what he loves, even if it means late nights in hotel rooms with some questionable company.
The chorus is where he really lays it all out, listing all the reasons people judge him: "Por ser marihuano, por vestir tumbado / Por andar de vago, porque estoy tatuado / Me juzgan" [For being a pothead, for dressing 'tumbado' (a certain street style) / For being a vagrant, because I'm tattooed / They judge me]. He doesn't care if they call him a womanizer, a drunk, or a party animal; he's making money doing exactly what he wants. He's got his crew, Clan Records, and he's ready for anything, even packing heat "nada más por precaución" [just for precaution]. It's a bold statement about living life on your own terms, no matter what anyone else thinks.
Dharius and La Santa Grifa take us on a wild ride with "Bien LSD," a song that's all about living life on the edge, full of parties, substances, and a rebellious attitude. The lyrics paint a picture of constant indulgence, with lines like "Viviendo entre el humo y vaciando botellas" [Living among the smoke and emptying bottles] and "La vivo alcoholizao', estoy intoxicao'" [I live it alcoholized, I'm intoxicated]. It's a no-holds-barred look at a lifestyle where consequences aren't really considered, as Dharius says, "Yo nunca le he pensao', solo actúo" [I've never thought about it, I just act].
This track is a declaration of their place at the top of the party scene, with Dharius calling himself "El número uno si hablamos de fiesta" [The number one if we talk about partying]. They're not shy about their drug use, mentioning everything from "churros de mota" [weed joints] to "aspirando cocaine" [snorting cocaine]. It's a chaotic, high-energy anthem for those who embrace the madness, always moving forward, as they say, "Siempre pa' enfrente, pa' atrás no volteo" [Always forward, I don't look back]. It's a pretty intense look into their world!
Get ready to party with Dharius, Neto Peña, and La Santa Grifa in "El Cumbión"! This track is a high-energy anthem about living life on your own terms, no matter what anyone else thinks. Dharius kicks things off by proudly declaring himself "el borracho del barrio" [the neighborhood drunk], a title he's held for years and plans to keep. He jokes that his neighbors are cool with it, and he's always ready to call up his friends for a wild night that lasts until dawn.
The song is full of defiant boasts and a celebration of their lifestyle. They laugh off critics who say their music isn't hitting anymore or that they're getting old, confidently stating "no hay ninguno mejor que yo" [there's no one better than me]. They're all about the good times, the music, and the party, with lines like "Que saquen otra botella / Con las rayitas de aquellas" [Bring out another bottle / With those lines] and enjoying the "cumbión" [big cumbia] that plays everywhere. From the roughest neighborhoods to the fanciest spots, even in prison, "Por todos lados suena el cumbión" [The cumbión plays everywhere]! It's a fun, rebellious track that'll make you want to dance.
Ever feel like your 'friends' are only around for what you have? Dharius totally gets it in "No Tengo Amigos" [I Don't Have Friends]. He's blunt about how people just want his weed, and he even has to pay the people who are with him every week. Talk about a lonely existence!
This song is a wild ride through a night (or many nights) of partying, confusion, and a deep sense of being lost. Dharius wakes up with a stranger, feeling completely messed up and questioning the point of fame. He's caught in a cycle of false promises to himself, easily forgotten with a few beers. He even admits, "Solo hay boleto de ida, este viaje no regresa" [There's only a one-way ticket, this trip doesn't come back], which is a pretty intense way to describe his lifestyle. He's been living this crazy life for over twenty years, seeing death close up but never learning his lesson. It's a raw look at the consequences of a life lived on the edge, and you can feel his exhaustion and confusion as he wonders how much time he has left.
Todos en la cuadra bien locos – literally Everyone on the block is totally wild – is a high-energy street anthem that paints a vivid picture of a late-night hangout in a Mexican barrio. Dharius, C-Kan, Gera MX, Santa Fe Klan, and Neto Peña trade verses while passing joints, blasting hip-hop, and turning the sidewalk into an open-air party. They brag about their fearless attitude, their love for weed and tequila, and the way the entire neighborhood (even the uncombed neighbors!) already knows how crazy their crew can get.
Beneath the smoke and swagger, the song is also a proud shout-out to Mexican hip-hop culture. Each rapper reminds us that they rose from humble blocks, stayed loyal to their “clan,” and now carry the Mexican flag in every rhyme. Friendship, authenticity, and survival are the real hooks here: no matter how famous they become, they keep the celebration rooted in the same streets that shaped them, inviting listeners to feel the rush of community, confidence, and unstoppable flow.
Ever wondered what would happen if you partied with the Devil and Death? Well, Dharius has you covered in "El Diablo, La Muerte Y Yo"! This song kicks off with our narrator having a drink with Lucifer himself, who isn't red or horned, but rather a well-dressed 'malandro' [bad guy]. The Devil offers a deal: eternal life in exchange for his soul, because 'La muerte te anda buscando hace rato' [Death has been looking for you for a while]. Our guy, not thinking twice, signs the contract, hoping to 'vivir para siempre' [live forever] and escape Death.
But plot twist! Death shows up, not to take him, but to chat about his new 'friend.' It turns out the Devil isn't exactly trustworthy, and 'Nadie vive para siempre' [Nobody lives forever]. What happens next is wild: instead of a fight, the narrator, Death, and eventually the Devil, all end up partying together! Tequila, weed, and even some 'rayas' [lines] turn a grim situation into an unexpected bash. In the end, the Devil burns the contract, and Death forgives him. It's a hilarious and unexpected take on cheating death, showing that even the most serious figures can be swayed by a good time.
Get ready to chill out with Dharius's "Relax"! This song is all about embracing a laid-back lifestyle centered around smoking weed. Dharius makes it clear from the start that for him, smoking isn't a vice; it's practically his job, saying "Veinte años quemando, compa, y no se me ha hecho vicio / Fumar marihuana, prácticamente es mi oficio" [Twenty years burning, buddy, and it hasn't become a vice / Smoking marijuana, it's practically my job]. He doesn't care what others think, he just wants to get high and enjoy himself, especially with friends. He even remembers his younger days, getting elevated with his buddies.
Dharius sees marijuana as a solution to his problems, saying "No más prendo un churrito y soluciono mis problemas" [I just light a joint and solve my problems]. The chorus is super catchy and really drives home the main idea: "Prende un churro pa' fumar / Hoy no quiero nada de tomar / Solamente quiero andar relax" [Light a joint to smoke / Today I don't want anything to drink / I just want to be relaxed]. He even gives a shout-out to Cypress Hill and Nate Dogg, showing his love for the culture. He's also hopeful for the future, believing that marijuana will soon be legalized, and he respects those who fight for the rights of fellow smokers. It's a fun, straightforward track about finding your happy place and just chilling out.
Get ready for a wild ride with Dharius and TIRO LOKO in "El Loqueron - Parte 1"! This song is all about living life to the fullest, with no brakes. The lyrics take us on a journey, starting with the declaration "estamos juntos" [we are together], setting the scene for a party.
From there, it's a whirlwind of activity: "cocaína marihuana ya me voy para mi manada y me cruzo al gabacho por monte" [cocaine, marijuana, I'm going to my crew and I cross to the US through the mountains]. They're talking about crossing the border, heading to California, and enjoying all kinds of good times. Dharius mentions having "todos los sabores de la michoacana" [all the flavors of Michoacana] and a list of substances like mescaline and MDMA to "derramar serotonina" [spill serotonin]. It's a high-energy track about constant partying, flying on planes, and having plenty of money and good company, all while embracing the "loco" [crazy] lifestyle. The song definitely gives off a vibe of non-stop celebration and living life on your own terms.
Get ready for a dose of pure confidence and a big middle finger to the haters with Dharius's "Mala Fama, Buena Vidha"! This track is all about proving everyone wrong who doubted him. Dharius starts right off the bat saying, "Cabrón estuvo chingón / Dijeron que no la iba a armar pero simón" [It was awesome, dude / They said I wouldn't make it, but yeah I did]. He’s basically telling everyone who thought he was just a "macuarro, pandillero y marihuano" [thug, gang member, and pothead] that they were dead wrong.
He talks about how people judged him for his tattoos and his lifestyle, thinking he'd never make money or amount to anything. But now, he’s enjoying life, traveling the world, and his music is blowing up. He even says, "Ahora esa gente me mira asombrada / Y si los topo de frente todos bajan la mirada" [Now those people look at me in amazement / And if I run into them, they all look down]. It’s a powerful message about staying true to yourself and letting your success speak for itself, no matter what anyone else thinks. Dharius is living proof that "es el cerebro, no importa como nos veamos" [it's the brain, it doesn't matter how we look].
La Durango is a fast-paced hip-hop thriller told from the point of view of a street-savvy narrator. Outside a bar he meets a girl who claims her father’s Dodge Durango has just been stolen. She is in tears, asks for help, and quickly suggests they hide out together in a nearby Japanese-themed motel. Believing he has scored a lucky romantic encounter, the narrator drives off with her, only to notice suspicious trucks tailing them. A pit stop for gas confirms his fears: the whole story about the Durango was bait, and he is about to be kidnapped.
The rest of the song flips from flirtation to survival. He phones his crew, races back to the bar, and lures the would-be kidnappers into a trap. Once cornered, the six attackers and the deceitful girl are overpowered and taken to a remote spot where, in pure gang-movie fashion, they “disappear.” Dharius uses the narrative to deliver two warnings: lust can cloud judgment, and messing with the wrong person on the streets can have deadly consequences. The track mixes dark humor, vivid storytelling, and hard-edged bravado, making it both a cautionary tale and a showcase of Mexican urban slang and swagger.