Bedtown Lyrics in English by King Gnu

Below, I translated the lyrics of the song Bedtown by King Gnu from Japanese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Bed town bed town
(English)
eien no ame no naka kara tobitatsu nda
We're taking off out of the endless rain
oretachi ni wa kumo no mukou no hizashi ga mieteru
We can see the sunlight beyond the clouds
mukashi naritakatta jibun ni wa tabun nareyashinai darou
I probably won't ever become who I wanted to be back then
kedo shimetta hanashi wa kirai da yo mi mo futa mo nai yo na
But I hate gloomy talk, no point sugarcoating it, huh?
shiru ka yo doitsu mo koitsu mo katte ni shiyagare
Who cares, every last one of them can do whatever the hell they want
tada inochi o yurashite kimi to futari de
Just living with our hearts racing, you and me together
fukinuketa mirai mo tozasareta mirai mo
The future that blew wide open and the future that was closed off
kagami ni utsuru jibunjishin da mi mo futa mo nai yo na
Are both just me in the mirror, no point sugarcoating it, huh?
kono mama futari de bokura nari no hohaba de ii to omotta
I thought it'd be fine, just the two of us like this, at our own pace
mure kara haguretatte sore sae itooshiku omou nda
Even if we've strayed from the crowd, I find even that precious
sou sa sore ga subete darou
That's right, that's all there is, isn't it?
Bed town bed town
(English)
taikutsuna kono machikado kara nukedasu nda
We'll break out of this boring street corner
oretachi ni wa biru no mukou no hoshizora ga mieteru
We can see the starry sky beyond the buildings
buroo hibi mizoochi ni kuratteru kedo kesshite utarezuyokanai yo na
I take blows to the gut every day, but I'm by no means good at taking a hit, right?
kedo shimetta hanashi wa kirai da yo mi mo futa mo nai yo na
But I hate gloomy talk, no point sugarcoating it, huh?
itsumo no futari de bokura dake no kotoba de hanashi o suru nda
Just the two of us as always, talking in words only we know
najimi no nai kaiwa bakari ja kekkyoku sabishisa ga tsunoru daro
If it's nothing but unfamiliar conversations, in the end the loneliness just builds up, right?
sou sa sore naraba isso
That's right, so if that's how it is, then why not
kono mama futari de bokura nari no kotoba de ii to omotta
I thought it'd be fine, just the two of us like this, in our own words
mure kara haguretatte sore sae itooshiku omou nda
Even if we've strayed from the crowd, I find even that precious
sou sa sore ga subete darou
That's right, that's all there is, isn't it?
Bed town bed town bed town
(English)
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身も蓋もない — bluntly honest; leaving nothing unsaid

身も蓋もない is a vivid Japanese idiom meaning that something is so direct and unfiltered that it leaves no room for tact, euphemism, or imagination. Literally, it suggests having neither the contents nor a lid, which gives the phrase its memorable image.

In the song, the narrator uses it while rejecting gloomy or sentimental talk, adding a sharp, almost defiant tone to the lyrics. It is a distinctive expression that appears repeatedly and offers learners a fascinating glimpse into Japanese idiomatic language.

"Bedtown" is a song about two people stuck somewhere dull who decide that being stuck together is enough. A bed town (ベッドタウン) is the Japanese word for a commuter suburb, the kind of place people only sleep in before taking the train back into the city. King Gnu open with an escape plan: 永遠の雨の中から飛び立つんだ (we're taking off out of this endless rain), and later 退屈なこの街角から抜け出すんだ (we're breaking out of this boring street corner).

The singer is surprisingly honest about his limits. 昔なりたかった自分には多分なれやしないだろう (I probably won't ever become who I wanted to be) is a blunt thing to admit in a chorus-bound rock song, and he takes daily "blows to the solar plexus" (鳩尾, mizuochi, the pit of the stomach). Watch for the idiom 身も蓋もない, literally "no body and no lid", which means too blunt to be any fun. He keeps shrugging it off: けど湿った話は嫌いだよ (but I hate soggy, gloomy talk).

The answer he lands on is small and warm. このまま二人で 僕らなりの歩幅でいいと思った (I thought it was fine, just the two of us, at our own pace). Even being 群れからはぐれた (strayed from the herd) feels precious, and そうさ それが全てだろう (yeah, that's everything, right?) sums up the whole mood. Learners get some great rough, casual speech here too: 知るかよ (like I care) and 勝手にしやがれ (do whatever the hell you want).

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