ABUKU Lyrics in English by King Gnu

Below, I translated the lyrics of the song ABUKU by King Gnu from Japanese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
kieta no awa to nari
It vanished, turning into bubbles
kieta no itsunomanika
It vanished before I knew it
wakatterya motto zutto issou kiyoraka ni
If I'd known, then far, far more purely
tokeatta noni ne kono kimochi
These feelings would've melted together
haneta no sakana to nari
It leapt, turning into a fish
dare yori mo karoyaka ni
More lightly than anyone
sono mama motto zutto issou kiyoraka ni
Just like that, far, far more purely
tondeyuketara ne kono kimochi
If only these feelings could fly away
pachin to hajikete awa no you ni kieta
It popped with a snap and vanished like a bubble
akke no nai unmei ga kokoro o egutta
A fate that ended so abruptly gouged my heart
tashika ni kanjita honoka ni hagayui
I felt it for sure, a faint, aching frustration
sugisatta unmei ni torawareta mama de
Still held captive by a fate that's passed
pachin to hajikete awa no you ni kieta
It popped with a snap and vanished like a bubble
anata wa ima mo doko ka de genki desu ka
Are you still doing well somewhere now?
ano natsu no nioi honoka ni hagayui
The scent of that summer, a faint, aching frustration
itsushika muchuu de oikaketeta no wa kage
Before I knew it, what I was chasing so desperately was a shadow
kieta no awa to nari
It vanished, turning into bubbles
kieta no itsunomanika
It vanished before I knew it
wakatterya motto zutto issou kiyoraka ni
If I'd known, then far, far more purely
tokeatta noni ne kono kimochi
These feelings would've melted together
haneta no sakana to nari
It leapt, turning into a fish
dare yori mo karoyaka ni
More lightly than anyone
sono mama motto zutto issou kiyoraka ni
Just like that, far, far more purely
tondeyuketara ne kono kimochi
If only these feelings could fly away
kono kimochi kono kimochi kono kimochi
These feelings, these feelings, these feelings
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仄かに — faintly / subtly

仄かに describes something sensed only faintly or delicately, such as a barely noticeable scent, feeling, or light. In the song, it appears in 仄かに歯がゆい, capturing a subtle but frustrating ache, and it also colors the memory of “that summer’s scent” with a poetic, nostalgic feeling.

"ABUKU" means foam or a bubble, and King Gnu build the whole song around that one image: something that was there a second ago and then just isn't. It opens with "消えたの 泡となり" (it vanished, turning into foam) and "消えたの いつの間にか" (it vanished before I knew it). The narrator is looking back at a feeling, and the regret is very specific: "わかってりゃ もっとずっと一層 清らかに 溶け合ったのにね" (if I had known, we could have melted together even more purely). That ending のにね is worth learning. It means "even though, if only" and it carries a sigh. Japanese packs a whole wistful shrug into two syllables.

Then the picture flips. The feeling "跳ねたの 魚と成り" (leapt up, becoming a fish) and moves "誰よりも 軽やかに" (more lightly than anyone). It is a nice turn: the same water that swallowed the bubble now holds a fish jumping out of it. But the chorus brings it back down with a sound effect, パチン, the little pop of a bubble: "パチンと弾けて 泡のように消えた" (it popped and vanished like foam). Fate here is "呆気のない" (anticlimactic, over too fast), and it "心をえぐった" (gouged out my heart). That verb is harsh, a scooping, digging motion, and it hits hard after all the soft water imagery.

The line that gets me is the plainest one: "あなたは今も どこかで元気ですか?" (are you still doing well somewhere now?). It is the kind of thing you would write on a postcard. Next to it sits "あの夏の匂い 仄かに歯がゆい" (the smell of that summer, faintly frustrating). 歯がゆい literally involves teeth and describes an itchy, can't-quite-reach irritation, the feeling of something you could not fix. By the end the narrator admits "いつしか夢中で 追いかけてたのは影" (before I knew it, what I was chasing so hard was a shadow), and the song closes by repeating "この気持ち" (this feeling) three times, as if saying it enough could keep it from popping.

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