Flor De Maracujá Lyrics in English by Gal Costa

Below, I translated the lyrics of the song Flor De Maracujá by Gal Costa from Portuguese to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
There on the veranda
In the midday light
A secret in your eyes
Told me so much
Your hair loose in the wind
Your way of looking
And on your tanned body
The passion fruit flower
Sunny day
Scent of a flower
Taste of the sea, my love
Your color
Moonlight
Wind that comes from the sea
Spin, turn, the wind changes
My love will take you
Far beyond the end of the world
Where I'll call you
There on the veranda
In the midday light
A secret in your eyes
Told me so much
Your hair loose in the wind
Your way of looking
And on your tanned body
The passion fruit flower
Sunny day
Scent of a flower
Taste of the sea, my love
Your color
Moonlight
Wind that comes from the sea
Spin, turn, the wind changes
My love will take you
Far beyond the end of the world
Where I'll call you
Far beyond the end of the world
Where I'll call you
Far beyond the end of the world
Where I'll call you
Lyrics and Translations Licensed & Provided by LyricFind
Lyrics © Warner Chappell Music, Inc.
Joao Donato De Oliveira Neto, Lysias Enio De Oliveira, Gilberto Gil
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avarandado — balconied / with a veranda

Avarandado is an interesting and somewhat uncommon word derived from "varanda" (veranda or balcony). It describes something that has a veranda or is like a veranda.

In the song, it sets a picturesque scene: "Lá no avarandado / Na luz do meio dia" (There on the balconied space / In the midday light). It evokes a specific, charming architectural detail, painting a vivid image of the setting where the romantic encounter unfolds.

Gal Costa's 'Flor de Maracujá' stays in one scene the whole time: a veranda at midday, a hint of secrecy, the wind in someone's hair. 'Lá no avarandado' ('There on the veranda') opens it, 'na luz do meio dia' ('in the midday light'), and from there the song just keeps naming what it notices, down to 'A flor de maracujá' ('The passion fruit flower') itself.

The middle section drops storytelling and stacks pure sensation instead: 'Dia de sol', 'cheiro de flor', 'gosto de mar, amor' ('Sunny day', 'scent of a flower', 'taste of the sea, my love'). By the last verse the voice is calling from somewhere far off, 'Bem pra lá do fim do mundo, onde eu vou te chamar' ('Far beyond the end of the world, where I will call you'), so a simple afternoon memory ends up sounding like longing instead.

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