Matita-pereira refers to a mythical creature or spirit from Brazilian folklore, often associated with the forest and known for its mysterious and sometimes mischievous nature.
In the song, it's listed among various elements of nature and daily life, adding a touch of local mystique and cultural depth. It's a unique word that evokes the rich tapestry of Brazilian culture and its connection to the natural world, making it particularly enticing for learners interested in more than just common vocabulary.
March is the end of summer in Brazil, and the rain that closes it comes down hard enough to carry things off. The song is an inventory of what the water picks up. It opens with "É o pau, é a pedra, é o fim do caminho" (It's the stick, it's the stone, it's the end of the road) and never stops listing: a shard of glass, a nail, a fishhook, "É a garrafa de cana, o estilhaço na estrada" (It's the bottle of cachaça, the shard on the road), "É o carro enguiçado, é a lama, é a lama" (It's the broken-down car, it's the mud, it's the mud). Nothing is ranked. A house plan sits next to a body in a bed, a night and a death next to a knot and a hook.
The refrain says what the pile is for: "São as águas de março fechando o verão" (They are the March waters ending the summer), and then "É a promessa de vida no teu coração" (It's the promise of life in your heart). Elis Regina and Tom Jobim recorded this in 1974 as a duet, and they spend the last minute breaking the words apart between them — one voice throws "Pau", the other answers "edra", the halves of pau and pedra passing each other like the debris going by in the water.