Packshot Lyrics in English by La Femme

Below, I translated the lyrics of the song Packshot by La Femme from French to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Transport, train station halls, the journey that passes
You turn around quickly, ultimate direction
That takes you north
You reach the platform, you carry a weapon
You pass by a woman, you pierce her head
Vengeance, hate, evening violence
You see the day in the dark
You see the day in the dark
Stress, stress
Orient-Express to Moscow
Ticket to Moscow by Orient-Express
You take possession of it
And stay on the lookout for the slightest detail
You continue your journey, step by step
You flee from this woman who pierces your head
Remorse, hate, guilty of the evening
You dread your new power
You dread your new power
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PackshotPackshot

Packshot is a unique and intriguing word, as it's a direct borrowing from English, commonly used in advertising to refer to a still or moving image of a product's packaging.

In the context of La Femme's song, the title Packshot hints at a detached, almost cinematic observation of events, like a product being presented. It suggests a cold, almost clinical portrayal of the narrative's intense themes of violence and pursuit, making it a memorable and thought-provoking choice for the song's title.

"Packshot" plays like a noir short film compressed into four minutes: a nameless figure moves through train station halls ("halls de gares" [station halls]), turns sharply, and heads north carrying a weapon. Somewhere along the way they cross a woman and hurt her — La Femme leave the act itself in shadow, naming only its aftermath: vengeance, hatred, violence in the night air, and the strange oxymoron of seeing daylight inside the dark ("tu vois le jour dans le noir" [you see daylight in the dark]).

The second half turns the journey into an actual one — an Orient Express run to Moscow, staying alert, watching every detail — before the guilt catches up. By the final lines the character isn't running from the woman anymore so much as from what they've become, dreading the new power they now carry ("tu redoutes ton nouveau pouvoir" [you dread your new power]). It's less a story with an ending than a mood: cold, propulsive, and morally unresolved, matching the icy synth pulse La Femme built it on.

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