Learn Spanish with Reggaeton Music with these 23 Song Recommendations (Full Translations Included!)

Reggaeton
LF Content Team | Updated on 2 February 2023
Learning Spanish with Reggaeton is a great way to learn Spanish! Learning with music is fun, engaging, and includes a cultural aspect that is often missing from other language learning methods. So music and song lyrics are a great way to supplement your learning and stay motivated to keep learning Spanish!
Below are 23 Reggaeton song recommendations to get you started learning Spanish! We have full lyric translations and lessons for each of the songs recommended below, so check out all of our resources. We hope you enjoy learning Spanish with Reggaeton!
CONTENTS SUMMARY
1. Tití Me Preguntó (Auntie Asked Me)
Bad Bunny
Que lindo está ese nene de tití
Mira que grande tú estás
¿Tú tienes muchas novias verdad?
¿Cuantas novias tú tienes?
How cute is that little boy of auntie
Look how big you are
You have many girlfriends right?
How many girlfriends do you have?

In "Tití Me Preguntó," Bad Bunny turns a lighthearted family interrogation into a reggaeton confession booth. His mischievous aunt (tití means auntie in Caribbean Spanish) keeps asking how many girlfriends he has, and Benito answers with playful bravado: "Hoy tengo una, mañana otra" – today I have one, tomorrow another. The lyrics leap from a roll-call of names to VIP selfies, painting the portrait of a globetrotting Romeo who always has a new date but never a wedding ring.

Beneath the catchy beat and cheeky humor hides a mix of swagger and vulnerability. Bad Bunny boasts about endless options, yet he admits he can’t trust anyone, not even himself, and fears breaking hearts as easily as he collects them. The push and pull between tití’s old-school advice and his own modern hookup habits mirrors the clash between traditional values and contemporary freedom. By the final verse he half-jokes about wanting to change but not knowing how, leaving listeners dancing while pondering the cost of limitless choice.

2. DtMF (Debí Tirar Más Fotos | I Should Have Taken More Photos)
Bad Bunny
Otro sunset bonito que veo en San Juan
Disfrutando de todas esas cosas que extrañan los que se van
Disfrutando de noches de esas que ya no se dan
Que ya no se dan
Another beautiful sunset that I see in San Juan
Enjoying all those things that those who leave miss
Enjoying nights like those that don't happen anymore
That don't happen anymore

DtMF invites us to roll down the windows and feel the warm Puerto Rican breeze. Over a smooth reggaetón beat, Bad Bunny watches otro sunset bonito in San Juan and lets nostalgia flood in. He misses the everyday details that people only realize are special after they leave: late-night hangouts, spontaneous photos that were never taken, kisses that could have lasted longer. The song flips between sweet memories and the present moment, where he is surrounded by lifelong friends, domino games with his grandpa, and the irresistible pull of perreo, salsa, bomba, and plena.

Under the party lights, Bad Bunny slips honest reflections between jokes and shout-outs. Regret, gratitude, and celebration all blend together. He raises a glass to the crew that keeps him grounded, hopes loved ones never have to move away, and reminds us to capture the magic of right now—before the night, the city, or a relationship becomes just another memory on our phones. The result is a heartfelt anthem that feels like a group selfie at 3 a.m.: messy, joyful, and unforgettable.

3. NUEVAYoL (Nueva York | New York)
Bad Bunny
Si te quieres divertir con encanto y con primor
Sólo tienes que vivir un verano en Nueva York
Si te quieres divertir con encanto y con primor
Sólo tienes que vivir un verano en Nueva York
If you want to have fun with charm and with beauty
You just have to live a summer in New York
If you want to have fun with charm and with beauty
You just have to live a summer in New York

Bad Bunny’s “NUEVAYoL” is a sun-soaked postcard from a Puerto Rican superstar spending the summer in New York City. He paints the scene with fireworks on the Fourth of July, late-night cruises through the Bronx and Washington Heights, and the electric hum of reggaeton echoing off the skyscrapers. The chorus promises that anyone looking for charm and excitement only needs “un verano en Nueva York,” capturing the magnetic pull the city has long held for the Latino community. References to salsa legend Willie Colón, painter Frida Kahlo, and big-league baseball teams tie Puerto Rican pride to the cultural melting pot of NYC, showing how the island’s rhythm and the city’s hustle blend into one unstoppable vibe.

The verses double as a victory lap. Bad Bunny compares his record sales to art masterpieces, jokes about being the new “king of pop” while keeping reggaeton at the core, and flexes with witty shout-outs to iconic rappers like Big Pun and sports stars like Juan Soto. Amid the bravado, party invites, and flirtatious lines, the message is clear: Latin music now rules the global stage, and New York is its summertime capital. “NUEVAYoL” is both a celebration and a declaration, urging listeners to dance, explore, and feel the island-to-city connection in every beat.

4. Enséñame A Bailar (Teach Me To Dance)
Bad Bunny
Tú y yo, yo y tú
Nos llevamos bien
Tú y yo, yo y tú
Nos llevamos bien
You and I, I and you
We get along well
You and I, I and you
We get along well

Bad Bunny’s “Enséñame A Bailar” drops you straight onto a Caribbean dancefloor at 3 a.m. The Puerto Rican superstar plays the role of a tipsy admirer who admits he doesn’t know the steps, yet he is completely hypnotized by his partner’s moves. Over a smooth reggaeton beat, he celebrates the instant chemistry between “tú y yo” while promising fun without limits: he will follow her lead, pay for any broken glasses, and keep the party alive until sunrise.

More than a simple request to learn how to dance, the song is a flirtatious anthem about living in the moment. References to Quisqueya (the Dominican Republic) and moonlit beaches paint a tropical backdrop, while repeated lines like “Tú y yo solitos y el sol” picture a private world where only the two of them and the dawn exist. It is carefree, sensual, and irresistibly catchy, inviting listeners to let loose, forget the rules, and move their hips until the first light of day.

5. Efecto (Effect)
Bad Bunny
No sé si es casualidad
Que yo me sienta así
Siempre que tú estás cerquita de mí
Dime qué me hiciste
I don't know if it's coincidence
That I feel like this
Always when you are close to me
Tell me what you did to me

Bad Bunny’s “Efecto” is a sultry reggaeton anthem about the intoxicating rush of desire. The Puerto Rican superstar compares his lover to a powerful drug: every glance makes him sweat, every touch sends him soaring, and the chaos of life suddenly feels perfect when they are together. He marvels at how quickly her presence changes his reality, turning a “jodido” world into a euphoric escape.

Beyond the catchy beat, the lyrics paint a vivid night of passion and unapologetic confidence. Bad Bunny celebrates the freedom of giving in to temptation, reveling in the sensory overload of music, movement, and chemistry on the dance floor. “Efecto” captures that electric moment when attraction takes over completely, leaving reason at the door and letting pleasure set the rhythm.

6. Despacito (Slowly)
Luis Fonsi, Daddy Yankee
Sí, sabes que ya llevo un rato mirándote
Tengo que bailar contigo hoy
Vi que tu mirada ya estaba llamándome
Muéstrame el camino que yo voy
Yes, you know that for a while I've been looking at you
I have to dance with you today
I saw that your look was already calling me
Show me the way that I'm going

Despacito is a sun-soaked invitation to a slow, sensual dance through the streets and beaches of Puerto Rico. Luis Fonsi’s smooth vocals and Daddy Yankee’s rhythmic flow create a flirtatious dialogue where the singer is magnetically drawn to someone across the dance floor. Instead of rushing, he wants every heartbeat, every step, and every whispered word to build anticipation—pasito a pasito, suave suavecito (step by step, softly and gently).

The lyrics paint vivid images of intimacy: tracing kisses like ink on skin, getting lost in a lover’s “labyrinth,” and letting Caribbean waves cheer them on. It is a playful celebration of desire, confidence, and island pride, reminding listeners that the real thrill lies in savoring every moment rather than sprinting to the finish. The result is a feel-good anthem that makes you want to sway your hips, practice your Spanish, and fall in love at half-speed.

7. Si Antes Te Hubiera Conocido | Coke Studio (If I Had Met You Before)
KAROL G
¿Qué hubiera sido?
Si antes te hubiera conocido
Seguramente, estarías bailando esta conmigo
No como amigos
What would have been?
If I had met you before
Surely, you would be dancing this with me
Not as friends

What if love had struck a little sooner?

In this playful reggaetón jam, Colombian powerhouse KAROL G fantasizes about meeting her crush before he ever started dating someone else. She pictures him swaying to the beat by her side not as friends but as irresistible dance-floor partners, convinced her fiery kisses and fearless attitude would eclipse his current girlfriend’s shy charms. Jealousy fuels the daydream, yet it’s laced with flirtatious humor as she vows to do “anything” for a single beso and even jokes about taking his last name.

Beneath the catchy rhythm, the song is an ode to confidence, timing, and bold desire. KAROL G turns the classic “what if” scenario into an empowering anthem, proving that when you know your worth, you’re ready to rewrite fate—one salsa-infused step at a time.

8. Mi Gente (My People)
J Balvin, Willy William
Si el ritmo te lleva a mover la cabeza
Ya empezamos como es
Mi música no discrimina a nadie
Así que vamos a romper
If the rhythm leads you to move your head
We already started the right way
My music doesn't discriminate against anyone
So let's tear it up

Mi Gente translates to My People, and from the very first beat J Balvin and Willy William invite absolutely everyone to join their global dance floor. The lyrics celebrate a rhythm so infectious it “moves your head” before you even realize it, proving that music can leap over language, culture, and borders without missing a step. Balvin proudly declares that his sound “does not discriminate,” turning the song into an open-armed anthem of inclusion where every listener is family.

As the party rolls from Colombia to France and echoes across the world, the duo shouts out DJs, bottles in the air, and a dance-until-dawn energy that refuses to slow down. “Dónde está mi gente?”—“Where are my people?”—is not just a question; it is a joyful roll call that pulls crowds from every corner into one unstoppable celebration. In short, “Mi Gente” is a high-octane reminder that when the beat drops, we are all united on the same dance floor, moving together to the same pulse.

9. VOY A LLeVARTE PA PR (I'M GOING TO TaKE YOU TO PUERTO RICO)
Bad Bunny
Acho, PR es otra cosa
Yo la conocí en Miami, en Brickell
Ella sabe que aquí hay ticket
Quiere que yo se la aplique
Wow, PR is something else
I met her in Miami, in Brickell
She knows that there’s money here
She wants me to make a move on her

Bad Bunny’s “VOY A LLeVARTE PA PR” is a high-energy invitation to experience the wild, carefree nightlife of Puerto Rico, the cradle of reggaeton. The narrator meets a woman in Miami and boldly promises to fly her (and her friend) to the island so she can see cómo es que se perrea—how real reggaeton dancing is done. Throughout the song he brags about being single, flush with cash, and ready to party from dusk till dawn. The message is clear: forget Tinder, forget commitment, just lose yourself in the hypnotic rhythm, neon-lit clubs, hookah smoke, and sunrise exits from the disco.

Beyond the flirtation, the track is a love letter to Puerto Rican culture. Slang like janguear (to hang out) and algarete (going wild) paints a picture of a place where the dance floor is sacred and freedom rules the night. Bad Bunny proudly stakes his claim: “Aquí nací yo y el reggaetón,” reminding listeners that both he and the genre were born on this island. In short, the song is a sonic passport to an unforgettable weekend where the only rule is to dance hard and live in the moment.

10. LO QUE LE PASÓ A HAWAii (WHAT HAPPENED TO HAWAii)
Bad Bunny
Esto fue un sueño que yo tuve
Ella se ve bonita
Aunque a veces le vaya mal
En los ojos una sonrisa
This was a dream that I had
She looks pretty
Although sometimes things go wrong for her
In her eyes, a smile

"LO QUE LE PASÓ A HAWAi" opens like a tropical daydream: foamy waves that fizz like champagne, green mountains brushing the clouds, and a smiling girl who hides her tears. Bad Bunny splashes these vibrant images over an infectious reggaeton rhythm, inviting us to dance while he paints Puerto Rico’s natural beauty and everyday joy. It feels fun and carefree on the surface, yet every reference to the sea, the river, and the hillside whispers that they are treasures worth protecting.

Listen closer and the party turns into a protest. The lyrics mourn neighbors forced to leave, condemn corrupt politicians, and warn that outside interests want to snatch the island’s land just as happened in Hawaiʻi. By urging listeners to “hold on to the flag” and never forget the traditional lelolai chant, Bad Bunny rallies Puerto Ricans to defend their culture, their barrios, and their roots. The song is both a celebration of island pride and a heartfelt plea: safeguard your home so its next verse is sung in joy, not nostalgia.

11. EoO (Perreoo, -eoo | Grinding / Dancing Eeo)
Bad Bunny
Ella viene por ahí y nunca llega sola
Ella nunca llega sola
To' los bandidos se sueltan las pistolas
Esta noche es lo que hay
She comes around and never comes alone
She never comes alone
All the bandits drop their guns
Tonight that's what's going on

EoO is Bad Bunny’s latest invitation to the electric world of Puerto Rican nightlife. The moment ella steps into the club, the track erupts in pounding beats, gun-slinging metaphors, and nonstop tra-tra chants that mirror the thrusting rhythm of perreo (reggaeton’s signature hip-shaking dance). Over booming drums, Bunny boasts about steamy encounters, daring the girl to drop hasta abajo (all the way down) while he showers her with extravagant promises and playful, unfiltered desire.

Beneath the flirtation lies a proud shout-out to the genre’s roots. Bad Bunny name-checks the 1990s, the housing projects, and super-producer Tainy to remind listeners that this raw, sweaty energy was born on the island’s streets long before it ruled global charts. In short, “EoO” is both a celebration of sensual freedom and a love letter to Puerto Rico’s reggaeton culture—a track meant to crank up, dance low, and feel the pulse of the Caribbean in every beat.

12. LA CANCIÓN (THE SONG)
J Balvin, Bad Bunny
Pensaba que te había olvidado
Pero pusieron la canción
Que cantamos bien borrachos
Que bailamos bien borrachos
I was thinking that I'd forgotten you
But they played the song
That we sang very drunk
That we danced very drunk

“LA CANCIÓN” is that irresistible reggaeton confession where J Balvin and Bad Bunny admit what many of us secretly know: one song can shatter the illusion of moving on. The track opens with the pair convinced they have already forgotten an old flame, only for their song to start playing at the club. Instantly, the memories crash back—nights of singing off-key, stumbling dances, and tipsy kisses that felt like the world’s best idea. Over a slow, hypnotic beat, they laugh at themselves for thinking a string of casual hookups, a few English ballads, or swaggering bravado could erase genuine feelings.

As the alcohol flows, each verse dives deeper into nostalgia: back-seat rendezvous, beach adventures, stealthy visits to a strict parent’s house, even the scent of Chanel mixed with sweat. The singers recognize that time has passed and their ex is happy with someone else, yet the moment that old melody surfaces, the past seems vivid and alive. Ultimately, “LA CANCIÓN” captures that bittersweet tug-of-war between pride and vulnerability, proving that music can reopen scars, revive joy, and remind us that some loves never fade completely, no matter how many times we hit “next track.”

13. Yo Perreo Sola (I Twerk Alone)
Bad Bunny
Antes tú me pichabas
Ahora yo picheo
Antes tú no querías
Ahora yo no quiero
Before you ignored me
Now I ignore
Before you didn't want to
Now I don't want to

“Yo Perreo Sola” literally means “I twerk by myself,” and Bad Bunny turns that simple phrase into a bold anthem of female independence on the dance floor. The lyrics paint a picture of a woman who once chased after someone’s attention, but now confidently pichea (ignores) the very people who used to ignore her. Her motto is clear: she drinks from the bottle, climbs the table, and owns the club’s spotlight without needing any “baboso” (creep) to latch onto her. In a genre often criticized for objectifying women, Bad Bunny flips the script, celebrating a woman who decides how, where, and with whom she dances—if anyone at all.

Beyond the catchy reggaeton beat, the song champions self-worth and the right to personal space. Bad Bunny’s heroine is “soltera antes que se pusiera de moda” (single before it became trendy), skeptical of love since “Amorfoda,” and comfortable calling her own shots. She has hobbies, friends, and plenty of swagger, but romance can wait. The repeated chorus—*“Antes tú me pichabas / Ahora yo picheo”—*reminds listeners that tables can turn, and respect is non-negotiable. Whether you’re perfecting your Spanish slang or just looking for a confidence boost, this track invites you to own the dance floor on your own terms.

14. Tattoo (Remix)
Rauw Alejandro, Camilo
Te ves tan rica, esa carita y ese tattoo
Ay, haces que la nota nunca se baje
No hace falta nada si estás tú
Yo no sé ni qué hacer
You look so fine, that face and that tattoo
Oh, you make the high never fade
I don’t need anything if you’re here
I don't even know what to do

Tattoo (Remix) splashes bright Caribbean color onto a modern reggaetón beat. Rauw Alejandro invites fellow heart-throb Camilo to celebrate a crush so powerful it feels edible: “Tú estás pa’ comerte toda.” From the first verse, the singer’s eyes lock on a captivating smile, café-colored eyes, and—of course—the mysterious tattoo. Every detail of this person’s look keeps the “nota” (the high) from dropping, turning an ordinary night into a euphoric loop of flirtation, rhythm, and heat.

Under the playful chorus lies a simple message: when the right person is beside you, nothing else is needed. The tattoo becomes a symbol of devotion—something permanent the singers would gladly wear on their ribs just to shout their love to the world. Between cheeky breakfast-in-bed lines, promises of public affection, and infectious “Ra-Rauw” ad-libs, the song paints love as both sweet and unstoppable, inviting listeners to dance, smile, and maybe even consider getting some ink of their own.

15. Me Porto Bonito (I Behave Nicely)
Bad Bunny, Chencho Corleone
En la guagua se quedó el olor de tu perfume
Tú eres una bellaca, yo soy un bellaco, eso es lo que nos une
Ella sabe que está buenota y no la presumen
Si yo fuera tu gato, subiera una foto los viernes y los lunes
In the truck remained the smell of your perfume
You're horny, I'm horny, that's what unites us
She knows that she's hot and they don't show her off
If I were your man, I'd upload a photo on Fridays and Mondays

Me Porto Bonito is a playful pledge of mischief and devotion wrapped in reggaeton’s irresistible rhythm. Bad Bunny and Chencho Corleone trade verses that celebrate a woman’s confidence, beauty, and wild side while admitting their own weakness for her allure. The singers paint vivid scenes of late-night parties, bold selfies, and street swagger, then flip the script by promising, “Si tú me lo pides, yo me porto bonito” — if she asks, they will drop the bravado and behave. The song is both a flirtatious shout-out to female empowerment and a confession that even the freest spirits are willing to soften up for someone who truly captivates them.

Underneath the catchy hook and club-ready beat, the lyrics capture the social media age of romance. The guys want the world to see her shine, so they hype up her posts and show her off in photos. She sets the rules, chooses when to get daring, and even decides if the relationship stays casual. This balance of sensual confidence and real respect makes the track a modern anthem for mutual attraction: bold, cheeky, and impossible not to dance to.

16. Si Te Vas (If You Leave)
J Balvin, Jay Wheeler
Dime si te vas, pa' emborracharme de una vez por todas
Pa' imaginarte con otra persona, me muero de celos y no colaboras
Toda una criminal, por ti, descubrí que los hombres sí lloran
Que decir mentiras se puso de moda, si te vas a ir, dale, vete ahora
Tell me if you're leaving, so I can get drunk once and for all
To picture you with someone else, I'm dying of jealousy and you don't help
Such a criminal, because of you I discovered that men do cry
That telling lies became trendy, if you're gonna leave, come on, leave now

“Si Te Vas” is like an emotional roller-coaster set to a smooth reggaetón beat. J Balvin and Jay Wheeler play the part of a guy who is half-begging, half-daring his lover to leave. One moment he swears he will drown his sorrows in tequila, the next he admits that the thought of her with someone else drives him mad with jealousy. The lyrics paint her as “toda una criminal” because she steals his peace of mind, making him discover that even tough men cry. It is a push-and-pull relationship: he knows their love is not “nada serio,” yet the chemistry is so intense that he keeps saying yes to her return.

Under the catchy chorus lies a bigger message about toxic love. The singer swings between heartbreak and bravado, between wanting her to stay and telling her to leave right now. He thanks her for the lessons, claims he will be happy in the future, then confesses he is still unfocused and doesn’t want to lose her. This clash of pride, desire, and insecurity is what makes the song relatable and addictive. In short, “Si Te Vas” captures the messy truth of modern relationships: sometimes letting go is harder than holding on, even when you sing it with a dance-floor smile.

17. Coleccionando Heridas (Collecting Wounds)
KAROL G, Marco Antonio Solís
Será que el amor no es pa' mí
Que no nací pa' esto, que no sé pedir
Porque me da lo opuesto, siempre me toca a mí
Hacerme compañía
Could it be that love isn't for me
That I wasn't born for this, that I don't know how to ask
Because it gives me the opposite, it's always up to me
To keep myself company

Karol G teams up with romantic legend Marco Antonio Solís to deliver a bittersweet reggaeton confession where rhythm meets raw emotion. In “Coleccionando Heridas” the Colombian superstar wonders if love simply is not for her, admitting that she always ends up alone and nursing the opposite of what she wishes for. The chorus paints a vivid picture: while “experts” claim real love belongs to the past, she refuses to switch off her feelings even if that means she keeps “collecting wounds.”

The song moves between vulnerability and quiet strength. Karol G speaks to soledad as an old friend, wrestles with memories that refuse to fade, and pleads with the heavens for a way to silence relentless thoughts. Yet beneath the sorrow lies a spark of hope; she wants to believe love is still possible. If not, she declares with poignant honesty that she will simply keep adding scars to her growing collection, turning pain into proof that her heart is still very much alive.

18. VeLDÁ (Verdad | True)
Bad Bunny, Omar Courtz, Dei V
Me diste follow y te di follow back
Me diste like y yo te di dos pa'trá'
Toma, al otro día me pusiste en los close friends
Eso es lo que tú quieres, ma'
You gave me a follow and I gave you a follow back
You gave me a like and I gave you two back
Here, the next day you put me in close friends
That's what you want, babe

VeLDÁ is a swagger-packed reggaeton track that turns a simple social-media follow into a full-blown flirt fest. Bad Bunny, Omar Courtz and Dei V trace the lightning-quick steps of modern attraction: a follow, a like, an invitation to the coveted Close Friends, then straight into the DMs. Each playful lyric piles on the heat as the artists brag about flashy cars, late-night pull-ups and the irresistible pull of a perfectly posed photo. The beat throbs like a nightclub dance floor, matching the rush of notifications that spark this digital romance.

At its core the song asks, “Vamos a ver si es verdad”“Let’s see if it’s real.” The trio challenge their crush to prove that the online chemistry can survive the jump to real life, promising drinks, dancing and a dose of unapologetic sensuality. Lines about “activating,” “bellaqueando” and “tequila y limón” paint a picture of carefree nights where confidence is currency and desire is met head-on. VeLDÁ is a playful anthem for anyone who has ever turned a swipe or a like into a wild night out, wrapped in the unmistakable swagger of Puerto Rican reggaeton.

19. ALAMBRE PúA (BARBED WiRE)
BAD BUNNY
Hoy te vo'a buscar y te vo'a besar cerca del lunar
Contigo yo me arrebato sin fumar
Lo de menos es el lugar
Después que estés tú, yo la paso bien
Today I'm gonna look for you and I'm gonna kiss you near the beauty spot
With you I get high without smoking
The place is the least important
When you're here, I have a good time

Bad Bunny’s “Alambre Púa” is a fiery love-and-lust anthem where the Puerto Rican superstar celebrates an irresistible woman who makes his world spin. He tells her that the location is irrelevant because her presence alone gets him “high without smoking.” Throughout the song he showers her with compliments: she shines brighter than any other girl, turns his car into a luxury ride, and keeps his heart “tied up with barbed wire” (alambre púa) because her spell is unbreakable. The artist mixes Spanish and English slang to paint a picture of passionate nights, playful teasing, and a desire to replay every steamy moment he forgot to record.

At its core, the track blends romance and sensuality with Bad Bunny’s signature confidence. He regrets not capturing their last encounter, treasures her private photos, and aches to hear her call him “papi” again. Yet the vibe stays upbeat: he plans to find her, kiss the spot by her beauty mark, and let the party continue. “Alambre Púa” is all about that magnetic connection that feels dangerous, addictive, and impossible to replace—set to a hypnotic reggaeton beat that makes listeners move just as much as it makes them fantasize.

20. El Perdón (The Forgiveness)
Nicky Jam, Enrique Iglesias
Dime si es verdad
Me dijeron que te estas casando
Tú no sabes lo que estoy sufriendo
Esto te lo tengo que decir
Tell me if it's true
They told me that you're getting married
You don't know that I'm suffering
I have to tell you this

El Perdón spins the heartfelt tale of a man who discovers that the love of his life is marrying someone else, and the news hits him like a lightning bolt. Nicky Jam’s verses paint the picture of a broken-hearted wanderer roaming the streets, literally shouting her name, drowning his pain in drinks, and begging the universe for a second chance. He admits his mistakes, pleads for perdón (forgiveness), and insists that life without her just “doesn’t feel right.”

Enter Enrique Iglesias with his soaring hook, and the emotion jumps even higher. Together they hammer home the song’s central question: If we are not together, who can really be happy? Family disapproval, new lovers, and past missteps all stand in the way, yet the singer’s devotion refuses to fade. “El Perdón” turns that universal mix of regret and relentless hope into a catchy reggaeton anthem, proving that sometimes the biggest party songs are really cries from the heart.

21. Desde El Corazón (From The Heart)
Bad Bunny
Benito Martínez de Puerto Rico
Empezamos de abajo ahora somos ricos
Pero nunca olvido de donde salí
Y donde fue que mi primer tema escribí
Benito Martínez from Puerto Rico
We started from the bottom now we're rich
But I never forget where I came from
And where it was that I wrote my first song

Desde El Corazón is Bad Bunny’s love letter to Puerto Rico, served over a thumping reggaeton beat. In it, he retraces his journey “de abajo” to millionaire status while pledging never to forget the streets where he penned his first verse. Dropping area codes, beach sounds, and local basketball teams, he paints a vibrant picture of home pride: the sun that never stops shining, Christmas parranda parties on jet skis, and the ever-present rhythm of salsa and reggaeton. Every reference shouts, “I made it, but I’m still yours.”

The track is also a roll call of the island’s musical heroes. From Daddy Yankee to Héctor Lavoe, Bad Bunny tips his cap to the giants who cleared the path for his generation. By the time he signs off as “El Conejo desde el corazón,” the message is clear: success means little without honoring your roots, your people, and the culture that raised you. This is more than a brag; it’s a celebration of Puerto Rican resilience, unity, and limitless creative fire.

22. Dákiti (Name Of A Club & A Beach)
Bad Bunny, Jhay Cortez
Baby, ya yo me enteré, se nota cuando me ves
Ahí donde no has llegado sabes que yo te llevaré
Y dime qué quieres beber, es que tú eres mi bebé
¿Y de nosotros quién va a hablar? Si no nos dejamos ver
Baby, I already found out, you can tell when you see me
There where you haven't reached, you know that I'll take you there
And tell me what you want to drink, because you're my baby
And who's going to talk about us? If we don't let ourselves be seen

In “Dákiti,” Bad Bunny and Jhay Cortez invite us into a secret world where passion, luxury, and late-night adventure mix with the hypnotic pulse of reggaeton. The narrators speak directly to a confident, free-spirited woman, promising to take her wherever she hasn’t gone yet—from elite shopping sprees in Sephora and Louis Vuitton to wild after-parties full of wine and weed. Their chemistry is electric and unapologetic; they keep things private, brushing off any gossip with the swagger of someone who knows the night is theirs.

Beyond the sensual bravado, the song celebrates mutual freedom and modern romance on their own terms. She is independent, studying to be a doctor, yet still loves the thrill of motorcycles and nightlife. He respects that strength, offering partnership rather than possession while pledging constant presence—“veinticuatro horas.” With its catchy hook and shimmering production, “Dákiti” becomes an anthem for living boldly in love, shielding intimate moments from prying eyes, and dancing under Caribbean stars with no regrets.

23. EL CLúB (THE CLuB)
Bad Bunny
Dos de la mañana en el club
To' el mundo pasándola cabrón
Las mujeres encima de mí
La hookah, las pastillas y un blunt
Two in the morning at the club
Everyone having a f*cking good time
The women on top of me
The hookah, the pills, and a blunt

**“EL CLúB” drops you into a packed reggaetón rave at 2 a.m., where lights flash, smoke swirls, and Bad Bunny seems to have everything a superstar could want: cheering friends, eager admirers, hookah, pills, and a blunt. Yet the harder the beat pumps, the louder an old question echoes in his mind: What is my ex doing right now? The track balances that party-ready energy with a confessional heartache, showing how easy it is to look like you are living your best life while secretly feeling empty inside.

Through sharp, conversational lyrics he checks the calendar of his memories—2019, 2020, 2022—realizing that each year has taken him farther from the happiness he once shared. The chorus circles back again and again to his drunken curiosity about his ex, underscoring the idea that no amount of nightclub noise can drown out unresolved feelings. “EL CLúB” is both a celebration of the nightlife scene in Puerto Rico and a vulnerable snapshot of modern heartbreak, reminding listeners that even amid flashing strobes and booming speakers, love’s aftershocks can hit the hardest.