Learn Spanish with Hip-Hop/Rap Music with these 23 Song Recommendations (Full Translations Included!)

Bizarrap teams up with Shakira for a fiery rap confession that turns heartbreak into a mic-dropping spectacle. Over Bizarrap’s pulsating beat, Shakira steps into the booth as a self-proclaimed “loba” (she-wolf) who refuses to be tamed by an unworthy ex. She calls him out for trading luxury for mediocrity—Ferrari for Twingo, Rolex for Casio—while flaunting her own worth and growth. The Colombian icon serves sharp metaphors, Spanish word-play, and witty jabs that double as a pep-talk for anyone who has ever felt underestimated.

The track’s core message is empowerment: women don’t cry, they cash checks. Shakira waves goodbye to tears, debt, nosy press, and meddling in-laws, proving that betrayal can spark reinvention. It is equal parts therapy session and victory lap, wrapped in Latin Hip Hop swagger. In short, “Bzrp Music Sessions, Vol. 53” is an anthem for reclaiming your power, dancing on the ashes of a failed love, and reminding the world that a true champion only levels up after a fall.

Love at first sight has never sounded this catchy! In Te Vi, Colombian group Piso 21 teams up with Venezuelan rapper Micro TDH to capture that electrifying moment when two strangers lock eyes on the dance floor and everything else fades away. The lyrics replay that cinematic instant again and again: one glance, one kiss, and suddenly time is flying. Between flirtatious compliments and playful invitations to “give me a little spin and start to dance,” the track paints a vivid picture of butterflies, sweaty palms, and a heartbeat that matches the reggaetón-infused beat.

Beneath the smooth hooks and hip hop flow lies a simple message: when chemistry is undeniable, you just want to make the other person’s night unforgettable. The singers confess they are so smitten that no one else matters, promising “the best of times” if their crush stays close. Te Vi is a feel-good anthem for anyone who has ever fallen head-over-heels in seconds and felt the whole party revolve around one magical connection.

Amanece captures that magnetic, after-midnight energy when two people who shouldn’t be together can’t stay apart. Anuel AA phones his lover in the early hours, confessing that from the very first moment he was hooked. She still has a boyfriend, yet both know she feels out of place in that relationship. Over a moody reggaetón beat, Anuel invites her to stay the night (literally until sunrise) so they can forget the clock, drown their loneliness, and give in to raw desire.

The lyrics paint a picture of forbidden passion: secret calls, jealous tension with her boyfriend, and a promise of intense intimacy that makes the heroine “mojarse” and lose control. Shout-outs to Karol G and Becky G add playful nods to other steamy Latin hits. Beneath the provocative lines, the song explores temptation, emotional conflict, and the irresistible pull of chemistry. It is a nocturnal confession where longing and lust mix until the first light of day.

Start your engines! "Gasolina" is Daddy Yankee’s high-octane invitation to the dance floor. The Puerto Rican superstar uses car imagery to paint a picture of nightlife where the DJ drops heavy reggaetón beats, engines roar, and everyone is fueled by pure adrenaline. The chorus’s shout for más gasolina is a playful metaphor for wanting more energy, more music, and more fun.

At the heart of the song is a confident, unstoppable woman who “no se pierde ni un party” – she never misses a party. She dresses to impress, cruises in everything from motorcycles to limousines, and lives for the electrifying rush that reggaetón delivers. Rather than asking for permission, she steers her own night, letting the rhythm guide her. Celebrating freedom, confidence, and the thrill of nonstop movement, "Gasolina" became an anthem that powered dance floors worldwide and put reggaetón on the global map.

Te Robaré (Spanish for “I’ll steal you away”) is a fiery reggaetón duet in which Puerto Rican star Nicky Jam teams up with Dominican-Puerto Rican sensation Ozuna to paint a picture of late-night temptation. Over a hypnotic beat, the singers invite a mysterious woman to escape the ordinary, promising her an unforgettable night while reassuring her not to “despair.” The idea of “stealing” her is not about crime but about whisking her off the dance floor and into a private world where time bends to their desires.

Beneath the seductive chorus, the verses reveal a playful tug-of-war: she only calls when it suits her, he knows she enjoys the chase, yet he cannot resist her pull. The song balances confidence and vulnerability, mixing flirtatious promises with a hint of frustration about mixed signals. In the end, Te Robaré captures the thrill of a hot-and-cold romance—one fueled by rhythm, attraction, and the magnetic spell of a midnight adventure.

“Secreto” is a steamy reggaetón confession from Puerto Rican trap star Anuel AA and Colombian singer KAROL G, who were a real-life couple when the track dropped. In the lyrics they talk directly to each other, calling each other bebecita while admitting that their romance is kept under wraps. To the outside world they are “just friends,” yet behind closed doors sparks fly, rumors swirl, and even God is called as witness to their hidden passion.

The song celebrates the thrill of forbidden love: sneaking around at 4 a.m., ignoring gossip, and making a pact to stay together no matter who disapproves. Both singers insist on exclusivity (“yo no comparto”) and describe an intense physical chemistry that feels impossible to resist. “Secreto” captures that rush of secrecy mixed with devotion, turning a private affair into an irresistible anthem for anyone who has ever loved on the hush-hush.

Sigo Extrañándote is J Balvin’s heartfelt confession of never-ending longing. The Colombian superstar paints the picture of a love that was once “envidiable,” so strong that it seemed destined from the very first encounter. Now, separated from his partner, he spends every waking moment thinking about her, scrolling through her Instagram posts, and craving both her company and her touch. Each line doubles down on the same message: “entiende que yo sigo extrañándote” – understand that I’m still missing you – at every instant, in every moment.

More than a simple breakup song, it is a rhythmic plea for reconnection. Balvin blends tender memories with bold desire, promising to be there whenever she gives the signal and hoping the night hides them from prying eyes. The track balances vulnerability and sensuality, reminding listeners that true passion doesn’t fade just because two people drift apart; instead, it lingers in late-night thoughts, social-media glances, and the unshakeable hope of one more embrace.

Morado drops us straight into a neon-lit night out where confidence, flirtation, and nonstop rhythm reign supreme. The narrator meets a daring woman who never settles for half-measures: while he orders one drink, she grabs the whole bottle and owns the dance floor with hypnotic moves. The lyrics paint her as unapologetically bold, someone who sets the pace, breaks the rules, and always keeps the energy sky-high. Purple—traditionally linked to royalty and exclusivity—underscores the vibe of luxury, temptation, and being in control of the party.

Under the pulsing reggaetón beat, J Balvin celebrates living in the moment: late-night adventures, shared blame for any “trouble,” and the thrill of surrendering to pleasure without overthinking it. The song invites listeners to let go, follow the bass, and embrace that larger-than-life feeling where the night, the music, and a fearless partner in crime turn everything morado—royally unforgettable.

“Escápate Conmigo” is an invitation to break the rules for one unforgettable night. Over pulsating reggaetón beats, Puerto Rican stars Wisin and Ozuna paint the picture of a secret rendezvous where two people give in to electric chemistry. The singer is mesmerized by his lover’s eyes and playful charm, and he urges her to slip away with him, promising excitement, pleasure, and freedom from prying eyes.

At its heart, the track celebrates spontaneity and desire. The lyrics pulse with sensual imagery—goose-bump skin, stolen kisses, sweat, and laughter—as both voices reassure each other that nothing matters except the moment they share. It is a soundtrack for adventurous spirits who crave intensity, flirtation, and the thrill of disappearing into the night with someone who makes their heart race.

Ready to shake off your shyness? “Atrévete-Te-Te” is Calle 13’s high-energy invitation to forget about labels, drop the intellectual facade, and jump head-first into the sweaty, vibrant world of Puerto Rican street parties. Over a contagious mix of reggaetón, cumbia, and hip-hop, Residente cheers the listener to salte del clóset (come out of the closet), scrap the nail polish, crank up the starter, and light up the night like a lighter. It is an anthem of liberation where everyone — rocker, hippie, rapper, city girl, or countryside boy — is called to dance until dawn and rediscover their inner Taíno spirit.

Beneath the playful wordplay and pop-culture shout-outs, the song celebrates cultural pride and authenticity. It pokes fun at social pretensions, urging people to trade their serious “encyclopedia” expression for sweat, rhythm, and raw joy. Lines about Bayamón, Guaynabo, and salsa-seasoned cooking paint a colorful mosaic of Puerto Rican life, reminding listeners that true confidence comes from embracing where you’re from and how you move. In short, “Atrévete-Te-Te” is a fearless rallying cry to be bold, be real, and let the music take control.

"Éxtasis" is Cartel de Santa’s loud invitation to a never-ending Mexican fiesta where the music booms, the drinks flow, and every sense is cranked past the limit. Over a thumping beat, the rapper paints a picture of a night fueled by desire, swagger, and mind-bending substances. He boasts about his magnetism, flashes his business-minded bravado, and shouts out his crew while promising that anyone who joins the party will feel an electrifying rush of freedom. The hook repeats Éxtasis as a mantra, turning the word into both a chemical reference and a state of blissful euphoria that the partygoers chase together.

Beneath the bravado, the song is also a celebration of Mexican pride and street identity. Cartel de Santa mixes imagery of skull tattoos, shared bottles of whisky, and neighborhood takeovers to show how his culture and crew elevate the night. The message is simple but potent: forget the low points, spark inspiration, and lose yourself in the rhythm. It is a high-energy soundtrack for living in the moment, where confidence reigns, the bass is relentless, and the only rule is to keep the vibe sky-high.

Get ready to sweat on the dance floor! In Muévelo (which means “Move it”), Puerto Rican superstars Nicky Jam and Daddy Yankee fire up a party anthem that tells everyone in the club to raise their hands, feel the rhythm in the air, and keep dancing without a break. The chorus acts like a DJ’s command: “Todas las manos pa' arriba, muévelo” invites the crowd to surrender to the beat, while catchy lines about “breaking the party” and being “la candela” (the spark) paint a picture of a night that’s lit from start to finish. Even a playful apology to the police officer shows they know the celebration might get a little too wild, but nobody is slowing down.

Beyond the chant-along hook, the verses mix flirtation with pure adrenaline. Nicky Jam praises a hypnotic dance partner, compares her moves to an “apocalypse” in the club, and promises to “fill the garage” with irresistible energy. Daddy Yankee jumps in with rapid-fire wordplay, urging everyone to bounce like a blank check and drop it low to an electrifying beat. Together, the pioneers of reggaetón remind listeners that music is freedom: forget your worries, move your body, and rumbear (party hard) until sunrise. By the end, Muévelo feels less like just a song and more like an invitation to join the hottest night of your life.

¡Atrévete Te, Te! is Calle 13’s electrifying pep-talk that shouts, “Loosen up and live!” Over a pounding reggaetón beat, Residente urges a shy, intellectual woman to ditch her social armor—nail polish, serious face, tight clothes—and jump headfirst into the party. The chorus’s playful commands (Salte del closet, Destápate) are less about rebellion for rebellion’s sake and more about shaking off fear, sweating on the dance floor, and igniting the spark that’s been hiding under everyday routine.

At the same time, the song is a love letter to Puerto Rican street culture. References to taíno roots, local foods, and neighborhoods from Bayamón to Guaynabo mix with mentions of Green Day and Coldplay, showing that identity can be both global and proudly Boricua. Calle 13 blends humor, flirtation, and cultural pride to remind listeners that music is a space where labels fade, bodies move, and everyone is free to be unapologetically bold.

Color: Red, Mood: After-midnight sparks! In “Rojo,” Colombian superstar J Balvin turns the color of passion into a late-night storyline where two lovers are synced like clockwork. No matter how much they argue or pretend to move on, the desire hits “a la misma hora”—around 3 or 4 a.m.—and their phones light up with the same thought: I want you here, now. The lyrics paint that familiar rush of adrenaline when temptation overrules bedtime, steering them straight to each other’s arms.

Balvin also slips in a playful jab at anyone who tries to win affection with money. He calls his partner a “treasure” already claimed by its “pirate,” showing that genuine chemistry beats material offers every time. The result is a steamy, rhythmic love-call where impulse, reciprocity, and the fiery color red blend into one irresistible vibe.

“Ay Vamos” is J Balvin’s playful confession that love is rarely picture–perfect, yet it is always worth the push and pull. Over an irresistible reggaetón beat, the Colombian superstar paints the story of a fiery couple who argue, get jealous, and make dramatic scenes, only to end up in each other’s arms again. Every spat is followed by an equally intense make-up session, proving that their passion is the glue that keeps them together.

The chorus—“Peleamos, nos arreglamos, nos mantenemos en esa pero nos amamos”—captures the song’s heartbeat: fight, fix it, repeat, all while never doubting the love in between. Balvin reassures his partner that his late-night hustles are for their future, not for flirting, and tells her to relax because he only has eyes for her. “Ay Vamos” celebrates imperfect relationships with a wink, a dance, and the promise that no matter how many times they clash, they will always find their way back to each other.

Borro Cassette drops us right into the aftermath of an unforgettable (and apparently forgettable) night out. Maluma paints the scene: a crowded dance floor, flirtatious moves, passionate kisses, and enough drinks to make the memory reel go fuzzy. By morning, the girl insists she’s “erased the tape” — in other words, she claims not to remember a thing. Maluma, amused and intrigued, can’t believe she has wiped the slate clean when every detail still loops in his mind.

The song plays like a cheeky cat-and-mouse game. While the girl shields herself behind selective amnesia, Maluma turns on his charm, reminding her of the sparks that flew and coaxing her to admit she felt them too. Under the reggaeton beat, “Borro Cassette” becomes a playful anthem about modern hookup culture, liquid courage, and the blurry line between I don’t remember and I don’t want to admit it. It’s flirty, catchy, and a little mischievous — perfect for anyone who’s ever woken up wondering just how much of last night the other person actually remembers!

“Está Rico” is a high-energy mash-up where salsa superstar Marc Anthony teams up with Hollywood icon Will Smith and Puerto Rican trap sensation Bad Bunny. The phrase está rico literally means “it’s tasty,” but in the song it’s slang for “this feels so good.” From the first beat you are invited onto a steamy dance floor packed with Caribbean rhythms, hip-hop swagger, and playful Spanish-English wordplay.

Lyrically, the trio celebrates instant chemistry: spotting someone across the room, feeling that spark, and giving in to the moment. They flirt, dance, and brag about whisking their crush off to New York, London, or Puerto Rico—any place is perfect as long as the vibe stays “rico.” The message is simple: lose your inhibitions, move your hips, and enjoy life’s flavorful pleasures right here, right now.

Picture this: the first rays of sunlight are peeking through the curtains, it is 6 AM, and J Balvin wakes up next to a complete stranger. His mind is blank, his friend Farruko’s car is somehow parked in the room, and scattered memories of ron, aguardiente, and neon-colored pills refuse to line up. 6 AM is a hilarious, slightly chaotic snapshot of that “morning after” moment when last night’s wild rumba (party) feels like a movie you only watched the trailer for. The lyrics swing between curiosity (What is your name?), disbelief (How did we get here?), and resignation (Well, you are in my bed now), all wrapped in a catchy reggaeton beat that makes the confusion feel oddly celebratory.

Beyond the comedy, the song paints a vivid picture of Latin club culture. J Balvin from Colombia and the Puerto Rican star Farruko blend Spanish slang, Caribbean rhythms, and a dose of playful regret to remind listeners that unforgettable nights can be, quite literally, forgettable. Whether you see it as a cautionary tale or an anthem for carefree fun, 6 AM captures that universal, slightly embarrassing truth: sometimes the best stories start when you cannot remember how they began.

La Vuelta Al Mundo is Calle 13’s joyful invitation to drop the daily grind and let curiosity steer the journey. From the very first lines he rejects unopened books and rigid plans, declaring that real learning comes from seeing, feeling, and moving with time. The lyrics celebrate an untamed hunger to cross oceans, trust destiny, and follow the warmth of a loved one’s smile. With every image — from empty office cubicles turning into landscapes to jet engines roaring with possibility — the song paints freedom as something you can touch the moment you decide to step outside.

When the chorus calls, “Dame la mano y vamos a darle la vuelta al mundo,” it is more than a travel plan; it is a manifesto. Calle 13 swaps rent, salaries, and routine for constellations, snowy mountaintops, and the promise of adventures shared hand in hand. The track blends romance and rebellion, urging listeners to trust instinct, pack a bag of dreams, and spin the globe for real-life experience. Play it when you need a push to trade monotony for motion, and let its pulsing beat remind you that the world is waiting just beyond the office door.

Madrid turns a long-distance heartbreak into a hypnotic rap confession. Maluma and Myke Towers speak straight to a former lover who left for Spain, insisting that no Instagram post or deleted number can hide the fire that still burns on both sides. Between playful Colombian slang like parce and sensual shout-outs to designer underwear, the song paints the picture of two people who keep scrolling each other’s stories while secretly craving a reunion.

Under the party-ready beat lies a mix of nostalgia, obsession and steamy fantasy. The rappers flip between vulnerability (even Mom misses you!) and bold desire, admitting they would hop a plane to Madrid just to relive those passionate nights. It is a catchy reminder that love can survive changed cities and curated social feeds, but it can also drive you a little crazy when pride tries to mask what the heart still wants.

Safari invites listeners into a steamy, neon-lit jungle where reggaeton king J Balvin (straight out of Colombia) teams up with Pharrell Williams, BIA, and Sky to kick-start an untamed dance party. Throughout the track the singers keep repeating “A ella le gusta” (“She likes it”) while praising a partner’s hypnotic moves, comparing the dance floor to a real safari where everyone watches a fearless “animal” show off her wild side.

Balvin and crew celebrate confidence, flirtation, and rhythmic freedom. They call the dancer to “Vente conmigo” (“Come with me”), urging her to unleash her inner beast, ignore the onlookers, and surrender to the beat. The song’s core message is simple: forget the rules, trust your instincts, and let the music turn the night into a thrilling adventure.

Oye Mi Canto – which translates to “Hear My Song” – is a high-energy anthem that shouts out Latinos of every background and invites the whole world to feel the heat of reggaetón. N.O.R.E. teams up with Daddy Yankee, Nina Sky, Gem Star, and Big Mato to fuse New York hip hop attitude with the hypnotic dembow rhythm. Throughout the track they roll call nationalities – “Boricua, morena, dominicano, colombiano, cubano, mexicano” – to show that, even with different flags, everyone shares the same pulse when the beat drops. The message is simple: if you’re proud of your roots, stand up, grab a cup, and dance.

Behind the party vibe lies a milestone in music history. “Oye Mi Canto” helped introduce reggaetón to mainstream U.S. audiences, proving that Latin sounds could dominate clubs and radio right beside English rap. Switching smoothly between Spanish and English, the artists celebrate street life, island flavors like Bacardi limón, and the irresistible shake of the “bum bum bum.” The song says that on the dance floor, labels disappear – “No matter your race, because today you Latino.” It’s a joyful declaration of unity, cultural pride, and the irresistible power of a beat that makes everyone move together.

“Dile A Él” is Rauw Alejandro’s fiery postcard to an ex who has already moved on, yet still carries his shadow everywhere she goes. Over a sensual reggaetón beat, the Puerto Rican singer throws equal parts swagger and vulnerability: he reminds her new guy that he was the first, the one whose name is still “marked on her skin,” while confessing the sleepless nights, tear–soaked pillows, and smoke–filled rooms that haunt him. The chorus is a catchy ultimatum – “Tell him I was there before anyone else” – that flips between jealousy and pride, turning raw heartbreak into a dance-floor confession.

Beneath the bravado lies a bittersweet goodbye. Rauw relives the lust-charged memories (“you said you didn’t love me, but you miss my bed”) before accepting that he has to let her spread her wings. The song captures that messy stage where love, ego, and nostalgia tangle together: you want to walk away, yet you still want the world to know the history you shared. It is a relatable snapshot of modern heartbreak, wrapped in irresistible rhythm and Rauw Alejandro’s signature smooth-yet-aching vocals.