Cobarde translates to "coward". It's an interesting word because it's not commonly used in everyday pop songs, especially not to describe oneself.
In this song, the artist repeatedly refers to himself as a "cobarde" in the context of relationships and emotions. He states, "Soy egoísta pero así nadie me jode / Tan cobarde evadiendo relaciones" (I'm selfish but that way no one messes with me / So cowardly avoiding relationships) and "Eso es pa los valientes pero soy cobarde yo" (That's for the brave but I am a coward). This self-deprecating honesty about emotional vulnerability makes the word stand out and adds a unique layer to the song's narrative.
Michelle Maciel's "LMQMH" is a powerful and blunt look at the aftermath of a toxic relationship. Our singer is completely changed by the pain caused by a past lover, singing, "Que tanta mierda tu me hiciste / Que el Dolor ahora lo veo como chiste" [Because of how much shit you did to me / That now I see the pain as a joke]. It's a dark transformation, where the pain is so intense it's become absurd, and no therapist can fix what was broken: "No hay psicólogo que me arregle ¿qué hiciste?" [There's no psychologist that can fix me, what did you do?].
The lyrics paint a picture of someone who has built walls to protect themselves, becoming emotionally detached and even selfish to avoid further hurt. "Soy egoísta pero así nadie me jode" [I'm selfish but that way nobody bothers me] and "Apagué el cel y también las emociones" [I turned off my phone and also my emotions] show a deliberate choice to shut down. The song ends with a declaration that the old self is gone, replaced by someone harder and unwilling to love again, echoing Bad Bunny with "no me vuelvo a enamorar mi amor" [I won't fall in love again, my love]. It's a raw and honest portrayal of how heartbreak can fundamentally alter a person.